66 pages • 2 hours read
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“You never said anything about it. You never said we were going to have a bunch of dead people buried in our backyard.”
Molly’s overreaction to the presence of a graveyard reveals not only her fear of death but also her feeling that Mom betrayed her by keeping this information from her. Molly’s broader frustration with her mother’s remarriage exacerbates this sense of betrayal.
“If we give her enough love, she’ll change […] I know she will.”
Mom recognizes Heather’s recalcitrant attitude but hopes that time and attention will help her fit in. Mom’s reiteration that she “knows” Heather will change has an air of desperation, as if by saying it she can make it so. Mom’s faith in the power of love also reflects her belief that parents love their children unconditionally.
“Something was wrong; I could sense it if no one else could.”
Impressionable and imaginative, Molly is the only one besides Heather to sense Helen. Molly believes that she may have a “sixth sense” that allows her to see spirits. Molly’s comment is also an example of foreshadowing, a literary device that Hahn uses to build suspense.
“Don’t let that little brat scare you with make-believe, Molly.”
Michael reveals several facets of his character. His use of a contemptuous term for Heather reveals his dislike of her and his awareness of her machinations. It also shows Michael’s personal reliance on facts and the scientific method and his dismissal of what he sees as Molly’s irrational supernatural beliefs.
“She was one of these lonely little creatures. No friends, nobody who seemed to care much about her—you know the kind.”
“Heather’s just a little girl, a very sensitive little girl! Why can’t you treat her decently? What’s wrong with you two?”
“Day by day, our lives seemed to grow unhappier, as if she had the ability somehow to reach out from the grave and touch us all with her misery.”
Molly’s description of Helen as the source of family discord reflects her own supernatural fears and her sense of powerlessness. However, Helen does exacerbate the preexisting tensions within the family, and Molly’s description of Helen’s “misery” as contagious proves insightful; like Heather, Helen harbors a guilty secret that twists her emotions and relationships with others.
“I tried to talk to Dave about her before you all came home, but he said I wasn’t trying. He said I didn’t love her enough.”
Dave’s criticism hurts Mom’s feelings and reveals his ignorance of the true nature of Heather’s problems: her guilt, which pushes others away. No matter how much love Mom gives, it will never be “enough” until Heather is ready to accept it. This quote also illustrates a growing rift in Mom and Dave’s relationship.
“Helen’s voice was like the winter wind blowing through a field of weeds, dry and cruel.”
Molly's use of figurative language in her description of Helen reveals her love of words and her imaginative personality. It also contributes to the story’s horror by evoking images of coldness and death.
“Dave says you have a terrible fear of death […] and it’s manifesting itself in your belief in ghosts.”
Molly is upset that Mom believes Dave’s interpretation of her behavior, but Dave is partially right. Molly is afraid of dying, but the ghost she sees is the (partial) cause of this fear rather than its result. Molly demonstrates self-reflection as she struggles to understand the nature of death and the afterlife.
“It’s like nuclear war, Molly. If I think about it, I get really scared, so I don’t let myself.”
“It scared me that she could summon up something as horrible as Helen and then stand there, safe beside her father, laughing at us. It made her seem as inhuman as Helen.”
“It was horrible to die, horrible. Just to think of myself ending, being gone from the earth forever, terrified me.”
Molly fears death because it involves the loss of self and the loss of connection to the world and others. Death is a prominent theme in the novel, and Molly gradually learns to overcome or manage her fears.
“Maybe we just have to learn to be a family. All of us.”
Molly articulates the novel’s central message about family. Everyone needs to work harder and learn to interact with each other in their new familial roles. Being a united family involves open communication, support, and love.
“For the first time, she seemed like a real, true sister instead of an enemy camping in our home, making me and everyone miserable.”
With Molly’s newfound understanding of Heather and Heather’s release of the guilt she carries, both girls connect on an emotional level. They are now friends.
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By Mary Downing Hahn