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Hugh sends a telegram to the London Press about antisemitic campaigns taking shape in Mexico and slips the carbon copy into his jacket pocket before returning to his brother’s house. Upon his arrival, he is shocked to meet Yvonne. Hugh tells her of his adventure of getting into Mexico, one that involved having his belongings impounded at the border, forcing him to borrow clothes, including the jacket he’s wearing, from the Consul. He also shares with Yvonne that he resigned from his journalist job. Despite his openness with her, he finds her to be closed off and reserved. Geoffrey is fast asleep, and the pair decide to walk into town rather than wake him. On their walk, they discuss Hugh’s travels around the globe, particularly war-torn Spain. He shares that he plans to once again take to the sea.
Yvonne and Hugh abandon their walk and rent horses to explore the town. Throughout the ride, Hugh is lost in thought, thinking of his friend Juan Cerillo and the political state of Mexico throughout his lifetime. His train of thought is punctuated by Yvonne’s invitation to the movies later that night to see Las Manos de Orlac con Peter Lorre. Hugh declines, stating that he already saw the movie. They pass a pulquería and see an Indigenous American man sitting outside with his horse tied up. The horse has a number seven branded on its side. They then stumble upon the Cervecería Quauhnahuac and enjoy a cold beer, still reserved with each other. Finally, Hugh asks Yvonne if she and the Consul are divorced and whether it is her intention to get back together with him. She admits that she is back in Quauhnahuac to be with the Consul but rejects Hugh’s offer to leave them alone.
The two leave the cantina to return home, feeling more comfortable with each other. Yvonne asks Hugh what he thinks of his half-brother’s drinking. Hugh honestly answers that he doesn’t believe the Consul can change. Yvonne then reveals her plan to buy a farm in Canada and take the Consul there. Hugh mockingly pokes holes in her plans but eventually comes around to give real advice about where to live and how to help the Consul with his addiction. Before returning home, Yvonne and Hugh stop at Maximilian’s Palace, where Hugh looks out on the horizon and sees the volcanoes and the landscape beneath them. He is taken by the view and feels connected to nature and inspired.
The Consul wakes to a devastating hangover, hounded not only by the pounding in his skull but also by the cacophony of voices in his head. These “familiars” chase him into his garden, where he locates a bottle of tequila that he hid upon Hugh’s arrival. He notices the dilapidated state of his garden, made worse by the pristine condition of his neighbor’s. While in the garden, he sees a sign that reads “¿LE GUSTA ESTE JARDÍN? ¿QUE ES SUYO? ¡EVITE QUE SUS HIJOS LO DESTRUYAN!” (135), which translates to “You like this garden? Why is it yours? We evict those who destroy!” (135). The sign evokes feeling in the Consul that he also had on the morning of Yvonne’s departure. The Consul drinks his tequila and bothers his American neighbor to distract himself from the thought.
His neighbor Mr. Quincey reluctantly listens to him insist that he is sober. The Consul then shares his theory of how Adam’s punishment was not to leave the Garden of Eden, but to stay, and that the original sin was that of owning property. He drunkenly lectures Mr. Quincey’s cat on William Blackstone, a man from Massachusetts who initially settled into an Indigenous American community before joining a Puritan settlement. However, not assimilating to their society, he soon rejoined the Indigenous Americans, to the Puritans’ disapproval and retribution. The Consul loses sight of his neighbor but sees that Dr. Vigil is walking up the path to visit Mr. Quincey. The Consul intercepts him, and Dr. Vigil, who was drinking with the Consul at the Red Cross Ball the night before, suggests that the Consul drink more to combat his withdrawal tremors. After their conversation, the Consul returns to his house, taking stock of the nature around him and greeting Hugh and Yvonne on the porch.
The Consul wakes up in the bathroom, confused and disoriented. He begins having flashbacks from his blackout and remembers that he, Hugh, Yvonne, and Dr. Vigil met on the porch, and Dr. Vigil suggested the Consul take a long trip for his health. The doctor then invited the trio to Guanajuato with him, but all declined—Hugh to catch the night train to Mexico City, the Consul for Yvonne’s sake. It dawns on the Consul that he, Yvonne, and Hugh decided on a day trip to Tomalín and that he is in the bathroom to prepare for it. The Consul flees the bathroom to escape a hallucination of a swarm of bugs, only to settle on his bed to listen to a chorus of the voices of his loved ones, past and present.
Hugh tries to find the San Antonio radio station and settles on to the porch daybed. He thinks of his upcoming sea trip and finds himself reminiscing about his earlier days. He was a guitar player in an earlier life and worked hard to sell two songs before attending university. In an attempt to elevate publicity for his songs, he signed up to go to sea. A part of him hoped that his family would stop him, but the Consul insisted that it would be good for him, preventing his aunt from stepping in. On the ship, the Philoctetes, Hugh was treated terribly by his shipmates, who did not trust his status in society. His voyage took him through the Middle East and up the Chinese Coast and he hoped that his experiences would boost his songs’ popularity back in London.
Partway through his voyage, Hugh switched ships and sailed on the Oedipus Tyrannus, a dilapidated ship on a much longer journey with a noticeably more grizzled crew. However, despite being treated better on his new ship, Hugh returned to the Philoctetes a month later with dysentery, signaling an end to his time abroad. Back in London, Hugh rushed to check on his success with his publisher, Mr. Bolowski. Bolowski printed his compositions but made no attempt to promote them, as he had already made a profit from the printing alone. Destitute, Hugh took a newspaper job and plotted his revenge on Mr. Bolowski. Hugh seduced Bolowski’s wife but was soon hit with a summons to divorce court and a claim of plagiarism by Bolowski. Just as it seemed that his life would crumble before him, Bolowski forgave Hugh and dropped both cases.
Hugh emerges from his memory to help his half-brother shave, as the Consul’s tremors are too severe for him to do it on his own. The two speak of their respective times at Cambridge. During their conversation, Hugh once again recounts his rise as a guitar player and the series of events that led him to give it up. He found that the more he traveled and wrote for his journalistic endeavors, the less inspired he felt to play. Hugh’s thoughts are occasionally interrupted by the conversation he is having with the Consul, about the state of Mexico and the role of the military police in the area. He realizes that the Consul’s addiction is more serious than he believed. Hugh helps the Consul to finish shaving and dressing and soon they are ready to leave for Tomalín with Yvonne.
On their walk into town, the trio meet Jacques, and Yvonne takes his arm while Hugh and the Consul linger a few steps behind. Hugh has never met Jacques and it takes him a moment to realize that the Consul is being cold to him. They decide to stop at Jacques’s house and on their way are met by a postman who delivers a letter to the Consul. It is a postcard from Yvonne that has traveled the world over the past year before finding its way to him. It is from the time of Yvonne’s departure, letting him know where he can find her.
The second quarter of the novel features a stretch of chapters told through the perspectives of the Firmin brothers, Hugh and the Consul. It features two chapters focusing on Hugh, and one on the Consul. These chapters serve to develop the brothers’ relationship with each other as well as to demonstrate their differences, having followed different paths in life. While the Consul served in the military and government, Hugh takes a more adventurous and rebellious approach to life. In many ways, Hugh serves as a foil to the Consul, demonstrating their differences and providing Yvonne with another character familiar with the Consul’s situation. Hugh’s purpose as the Consul’s foil even results in moments of possible romance between Hugh and Yvonne—moments that even the Consul jealously notices. Not much time elapses during these chapters, with the primary action consisting of Yvonne and Hugh’s horse ride and the Consul’s trip to his garden, but much is revealed about both Yvonne’s plans for the Consul’s future and Hugh’s tumultuous past.
One of the main points of Hugh and Yvonne’s discussion on the horse ride is the Consul’s future. Hugh is not as concerned with the Consul’s drinking as Yvonne. He does not immediately recognize the severely advanced state of the Consul’s addiction and seems to view his half-brother’s ability to drink as admirable rather than tragic. This leads him to at first mock Yvonne’s suggestion of taking the Consul to Canada. After he upsets her, he acknowledges the power of Nature as a Healing Force and helps her decide where to go. His knowledge of Canada proves useful and suggests a deeper understanding of addiction:
As for drinking, by the way, that is beset, everywhere beset by perhaps favourable difficulties. No bars, only beer parlors so uncomfortable and cold that serve beer so weak no self-respecting drunkard would show his nose in them. You have to drink at home, and when you run short it’s too far to get a bottle (126).
While Yvonne sees Nature as a Healing Force because of its ability to connect the Consul to the land and eliminate a need for drinking, Hugh thinks more practically, recognizing that isolation from alcohol in a place such as Canada would be beneficial for the Consul.
Before Yvonne and Hugh return home, the Consul stumbles to the garden to find a bottle of tequila and finds a sign that translates to “You like this garden? Why is it yours? We evict those who destroy!” (135). The sign carries many meanings and makes many appearances throughout the novel, but in this instance, it reflects the Consul’s precarious situation. His addiction to alcohol has reached dangerous new heights, but he has also been granted the chance at a new life with the return of Yvonne. The state of the garden reflects his relationship with Yvonne. Over the years, both of fallen into a state of disrepair because of his addiction. He becomes unavailable to Yvonne, catalyzing her affair with Jacques, and in the fallout, his intoxication prevents him from adequately making amends. The sign, therefore, is a warning to him. He has destroyed his relationship with Yvonne, but he can now reclaim the relationship and heal it. If he doesn’t, he will be destroyed. The sign also functions as foreshadowing, as his flight from Yvonne results in not only his own destruction, but hers as well, leaving the garden completely desolate.
In the final chapter of this section, Hugh recounts his life up to his trip to Mexico, remembering his time at sea, his endeavors in songwriting, and his career as a war journalist. He is very invested in the Spanish Civil War, and his idealism is clear in his stance against the fascists, which stands in stark contrast to his half-brother’s more indifferent view of the conflict. However, despite this introduction to Hugh’s life, the chapter hinges upon a tender moment of sibling support, as Hugh helps the Consul prepare for their trip to Tomalín with Yvonne. He must help the Consul shave and dress because of the Consul’s tremors caused by his addiction. It is in this moment that the severity of the Consul’s Addiction to Alcohol dawns on Hugh: “It occurred to Hugh that the poor old chap might be, finally, helpless, in the grip of something against which all his remarkable defences could avail him little” (192). Having now seen his half-brother’s swings from shaky, distant, and weak to sturdy, aware, and confident depending on his level of intoxication, Hugh must contend with its meaning. The Consul’s addiction controls him at all times, including his ability to function. This revelation on Hugh’s part will bring him closer to Yvonne as they try to help the Consul and simultaneously distance him from his half-brother, who comes to see him as a threat to his own self-determination.
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