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Athshe is a planet that has been colonized by the humans from Earth. Its resources are milled and ransacked as its people are enslaved and used by the colonizers. Some of the invaders are relatively benevolent, like Lyubov, although he is aware that he is a participant in a harmful system, even though he does no harm. Others, like Davidson, revel in the power they have over the people they subjugate, even believing that, as a stronger people, they have a duty to take by force whatever they can. The negative aspects of colonialism and imperialism are mirrored in the novella in a way that can be seen in the British Empire in India, the American slave trade, and the heavy-handed attempts by the English to keep their American colonies from revolting. As the story ends, Athshe has won its freedom from colonizing forces, and this is shown as a victory and an indictment of the distorted morality and priorities of the invaders. The effects of the colonial presence—the introduction of murder among the natives—is Le Guin’s reminder that simply expelling the invading force does not guarantee a return to normalcy.
Racism in the story is most vividly illustrated by Captain Davidson. He hates the Athsheans, referring to them with slurs, raping them, killing them, and openly displaying his hostility at every opportunity. He feels no remorse for enslaving them because they are mere animals to him. Even after Selver saves his life, Davidson experiences nothing in the way of self-reflection, and he does not see the Athsheans as having greater depths than he had known, and he feels no gratitude. The natives are shown to have evolved from the same genetic stock as the humans, but Davidson is not able to consider them human. Racism is founded in ignorance, and Davidson places himself, ideologically, beyond the reach of scientific facts. His mania to exterminate the Athsheans eventually leads him to defy the orders of the World League and to break ties with his own people, who he sees as race traitors for their truce with the Athsheans.
Much of Le Guin’s work is linguistically playful. She gives particular attention to semantic wordplay and confusion and invents the languages for the peoples in her stories. In The Word for World is Forest, language barriers are the tool with which she examines many of the book’s philosophical questions. When Lyubov and Selver become friends, they do so initially through teaching each other their respective languages. Through this process, they are each forced to define, for each other, words and concepts such as friendship, loyalty, fate, and dreams. The Athsheans have never known the word for murder, and this rendered them incapable of conceiving of the cold-blooded extermination of another human life. As Selver realizes at the end, once a word—and the knowledge it conveys—is known, there is no unlearning or unhearing the word:“To speak that tongue is to act” (123). Language applies meaning to objects and acts and therefore has the ability to shape the trajectory of a society’s thought. Lyubov and Selver share and exchange knowledge, and this leads to beneficial epiphanies but also to tragedy.
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By Ursula K. Le Guin