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Content Warning: This section contains descriptions of racism, racial violence, enslavement, lynching, sexual assault, graphic wartime violence, antisemitism, and the death of a child. This guide quotes and obscures the author’s use of the n-word.
Faced with the daily hardship of life in the Confederate South, each character in The Thread Collectors takes a different approach to survival. Some characters self-isolate as a coping mechanism, while others turn to their community for support. Throughout the novel, Edwards and Richman emphasize the integral nature of community care to overcome adversity.
The institution of enslavement is designed to tear families and communities apart. Throughout the novel, enslaved characters relate stories of children sold away from their mothers, men sent away to fight or be killed, and relationships broken up on the auction block. As a result of constantly having their loved ones torn away from them, some people, like Janie and Miss Claudette, have internalized the idea that community is a liability; they believe that the only way to survive in the South is to look out for oneself. This self-preservationist attitude stems from their experiences being bought and sold, as well as decades of sexual assaults endured during plaçage. Janie is also traumatized by Percy selling the man she loves after he discovered their secret relationship. Having had most of her connections ripped away from her, Janie only cares about herself and her daughters. Throughout the novel, she advises Stella to “think ‘bout yourself” (137), discouraging her from taking on any additional risk by helping others.
At the start of the novel, Stella largely keeps to herself. She gets by through her arrangement with Frye, ensuring her relative safety through their transactional relationship, one which begins in the form of sexual assault and continues with Frye exerting sexual control over Stella. After being contacted by an old neighbor from Rampart Street, however, Stella begins embroidering maps of potential escape routes for the sons, husbands, and brothers of the women in her community. Though Janie expresses disapproval, advising Stella to focus on taking care of herself, this act of selflessness strengthens her relationships with the women of Rampart Street, who come to trust and rely on her.
When Stella becomes pregnant, she reaps the benefits of the community ties she has sowed. The women from Rampart Street support her through her pregnancy, bringing her extra food and even helping to deliver her baby when the time comes. After Wade’s birth, the women rally around Stella and Ammanee, finding Ammanee employment at a Union camp and Stella a source of income by selling her embroidery. Though Stella and Ammanee are strong as individuals, their survival is ultimately a group effort. The strength they draw from their community enables their continued resilience. Eventually, even Janie comes around to the benefits of community: At the end of the novel, with Ammanee dead and Stella leaving New Orleans, she and Benjamin vow to take care of one another.
Jacob and William’s relationship provides another example of the benefits of community. Both men struggle to find community in the army until they meet one another. Jacob is othered from the white soldiers due to his Jewish background, while William’s unusual upbringing on Righter’s plantation makes it hard for him to relate to the other Black recruits. Their friendship bolsters both men’s morale and gives them an immediate reason to keep going amid increasingly harsh circumstances. Jacob and William become one another’s advocates, with Jacob standing up for William against mistreatment from Union soldiers and generals. William repays this kindness by rescuing Jacob when Jacob is injured and stranded in the woods. The perilous journey William makes back to New Orleans demonstrates the power of their bond. Jacob repays his selflessness with the offer of a job at Arthur Kahn’s business.
The novel ends with Stella, William, Wade, Lily, and Jacob boarding a steamboat headed northward. The community they’ve created has worked to uplift all of them, enabling them to survive hardships and create a better future for themselves and their families.
Early on in The Thread Collectors, Stella states her belief that striving for happiness is futile. Rather than entertaining dreams of a better future, she focuses her efforts on day-to-day survival. Through Stella’s character, Edwards and Richman explore how the institution of enslavement systemically robs enslaved people not only of their freedom but also their autonomy and hope. The Thread Collectors illustrate how acts of resistance, even within a violent, racist system, can help rebuild an oppressed person’s sense of agency.
Stella begins the novel feeling aimless and hopeless. Despite not being literally chained, she is “insufferably yoked” to Frye, forced to endure sexual assaults at his whim. She must hide her love for William and sees no possibility of a future with him. Frye reinforces Stella’s feelings of powerlessness, as they make her more malleable to their plaçage agreement. He treats her like a “small child,” expecting her to be grateful for the few liberties he allows her. In Chapter 27, as he prepares to sexually assault Stella, he reminds her, “[T]his will always be all you get” (149).
Janie reinforces Stella’s lack of agency and teaches Stella to keep her head down and “focus only on the things that [are] within her control” (137). She positions freedom as an unattainable pipe dream. Janie regularly reminds her daughters, “[W]hat you want [...] don’t mean a thing” (78). Janie’s attitude is rooted in the traumatic experiences she endured while enslaved. After Janie had a symbolic marriage ceremony with Ammanee’s father, Percy sold him off and increased the violence of his assaults on Janie. Janie believes that her suffering occurred because she and her lover “asked for too much” (80). She tries to spare her daughters the same pain by discouraging them from asking for anything beyond the small amount of leeway Fyre allows.
Despite Janie’s rhetoric, Ammanee remains optimistic. She encourages Stella to exercise choice whenever possible, making the best of their confined living situation. Ammanee pushes Stella to embroider her first map, and this initial act of resistance opens the door for Stella to slowly begin reclaiming her autonomy. Stella’s maps give her a concrete way of fighting back against the South’s oppressive social structures, and her projects facilitate bonds with the women who come to her for help. These new connections help Stella become a more mature person. She learns that even within her severely constrained circumstances, she can choose to be brave.
When Stella falls pregnant, she must take on a more active role in her life for the sake of her child. Janie again encourages a passive approach, advising her to lie her way through the pregnancy and hope that Frye dies in battle. When Frye discovers Wade and threatens to sell him, Stella is faced with immediate danger to her baby and chooses to poison Frye. With Frye dead, real freedom is within Stella’s reach for the first time. She continues to make bold choices, including openly cohabitating with William on Burgundy Street.
Stella’s newfound sense of agency culminates in her decision to go up North with William, where William will start a job at Arthur Kahn’s music store. Her evolution from a woman resigned to her fate to someone who actively shapes her own life highlights the power of resistance, on both an individual and communal level, in achieving personal autonomy, even amidst extensive violence.
Intersectionality is an analytical framework for understanding how different aspects of an individual’s identity, such as race, class, gender, and religion, among other factors, create systems of overlapping oppression or privilege. The Thread Collectors explores intersectionality by using multiple protagonists to explore the Civil War through a diverse set of perspectives. Though each of the novel’s primary characters faces some level of oppression or discrimination, their individual experiences are determined by their unique identities. Richman and Edwards explore how the differing experiences of various marginalized groups can lead either to strife and infighting or to unity. By illustrating how characters benefit from sharing their experiences and supporting one another—despite their differing backgrounds and experiences—The Thread Collectors underscores the necessity of intersectional activism in the fight against oppression.
As Black women living in the Confederate South, Stella, Janie, and Ammanee all experience misogynoir, the intersection of racism and misogyny. In addition to the threat of racialized violence and discrimination, they are subject to the constant threat of sexual violence from white men, including their enslavers. Both Janie and Stella participate in plaçage, forced arrangements with white men that grant them a chance to live semi-independently in exchange for regular sexual encounters, where they are repeatedly sexually assaulted.
In addition to their shared experiences, the three women experience differing levels of oppression based on their skin tones. Janie, a light-skinned woman, is technically free, having been granted manumission by Percy. As Percy’s half-white daughter, Stella is still considered Percy’s property, but she has an unusual amount of control over her life in that she is allowed to “choose” her plaçage agreement when she turns 18. Ammanee, who has two Black parents, is only spared life on the plantation because of Stella and Janie’s demands. She is made to sleep on a pile of straw in the kitchen, while Stella gets her own room and bed. As Janie says in Chapter 44, their lives are “different grades of easy, like different shades of brown” (203).
At times, these differences cause friction between the three women. Janie harbors barely-concealed resentment for Stella because she is the product of one of Percy’s assaults. Despite having experienced the trauma of plaçage herself, Janie downplays the traumatic nature of Stella’s experiences because Stella has never stood on a literal auction block. She implies that Stella is not a true survivor of assault and racist violence, characterizing Ammanee as her strong, resilient child, and Stella as the weaker of the two. Janie’s unwillingness to empathize with her daughter makes plaçage a lonely experience for Stella, who has no one to talk to about the trauma and sexual violence of Frye’s visits.
Ammanee, who is technically Stella’s maid, envies her younger sister’s relative freedom. Ammanee’s entire life has revolved around making sure that Stella is taken care of. When Stella tries to engage Ammanee in talks about her hopes and desires, Ammanee cuts her off, reminding her that “Frye still own me [...] you gotta remember-we different, you and me” (150).
Despite these differences, the women are ultimately all in the same position, with their lives subject to the whims of white men. None of them can be truly free while Frye exerts control over their lives. They are most empowered when they come together to fight against oppression, like when Stella and Ammanee come together to kill Frye after he threatens Stella’s baby.
Richman and Edwards explore how a history of oppression can influence an individual to either “punch down” and oppress others or stand up for others. Lily’s character embodies the idea of intersectional activism. Seen through one lens, she lives a privileged life as a wealthy white Northerner. Yet her experiences are also informed by her ethnic, religious, and gender identity. As a Jewish woman who is outspoken about abolition, she often faces antisemitic and misogynistic backlash from those around her.
Eliza provides a counterexample to Lily. As the only Jewish woman in her hometown, she faces heightened scrutiny and discrimination from her neighbors. Rather than making her sympathetic to the plight of Black Americans, including enslaved people, however, these experiences push her to align herself with the Confederacy to achieve a higher social status. Lily calls out this hypocrisy at Eliza’s Passover dinner, saying that while Eliza celebrates “the Israelites’ escape from bondage in Egypt,” she fails “to see the irony of [her] words, in support of Southern slavery” (61). The Draft Riots are another example of divisive behavior among oppressed groups, as Irish immigrants turn on Black Americans, one of the only groups with fewer social protections than themselves at the time.
William and Jacob’s friendship is another example of intersectional solidarity in action. William is initially wary of Jacob, expecting Jacob to treat him with contempt like the other white soldiers do. However, Jacob’s own experiences as a member of a marginalized ethnic and religious group allow him to identify with William more than he does with the other white recruits. Though Jacob does not experience as much oppression as William, he also fails to live up to the white Anglo-Saxon ideal. The men bond over their shared outsider status while acknowledging their differences, and the friendship they form expands both of their capacities for empathy and support in the face of oppression.
By examining the Civil War through a diverse set of perspectives, Edwards and Richman underscore how intersecting identities of race, gender, ethnicity, religion, and skin tone create distinct yet interconnected experiences of oppression, which can either divide or unite oppressed groups. The characters of The Thread Collectors make the most progress when they recognize and honor one another’s distinct identities while embracing intersectional solidarity to fight against racist oppression.
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