logo

51 pages 1 hour read

The Shadow King

Fiction | Novel | Adult | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Book 2, Chapter 41-Book 3, Chapter 60Chapter Summaries & Analyses

Book 2: “Resistance” - Book 3: “Returns”

Book 2, Chapter 41 Summary

Ettore drinks with comrades and tries to forget his father’s disapproval and Fucelli’s atrocities. They call him Foto, and he pretends to shoot them with his camera, inhabiting his role as perpetrator.

Book 2, Chapter 42 Summary: “Photo”

Tariku hangs from the tree, his neck twisted and spine distended.

Book 2, Chapter 43 Summary

Ettore documents the hanged body’s deterioration. Fifi, who doubles as the spy Ferres, arrives with Aster’s old cook in tow. She assumes the role of Fucelli’s prize, but her eyes are fixed on Tariku.

Book 2, Chapter 44 Summary

Ettore writes a letter home asking if the census is really targeting Jewish families, but there is no way to ask without alerting the censors. Fucelli arrives and identifies his own Jewish ancestry. Fucelli confirms the new laws mandating segregation and implies that because of Fifi, he and Ettore are both targets of the government. It is a threat disguised as an alliance.

Book 2, Chapter 45 Summary

Fucelli watches Kidane’s men take Tariku’s body. Fifi thanks him for allowing them their dead but warns him retaliation is immanent. She asks to leave for her safety, but he compels her to stay.

Book 2, Chapter 46 Summary

Hirut tends the wounded, exhausted. She falls deeply asleep, but Kidane rouses her and she is too tired to fight. In her exhaustion, she yawns. Kidane is repulsed and cannot continue his violation of her. She realizes that feigning indifference can be an effective mode of resistance.

Book 2, Chapter 47 Summary

Villages refuse Tariku’s body for fear of retaliation. Aklilu acknowledges their fear and lack of protection. Kidane pulls a photograph of Haile Selassie from his pocket in a demonstration of loyalty, and Hirut notices that Minim the krar player looks similar. The group decides Minim will become a Shadow King. Aklilu maneuvers Hirut out of Kidane’s reach by suggesting she and Aster pose as Minim’s honor guard.

Book 2, Chapter 48 Summary

Kidane’s inner circle transforms Minim into an Emperor. Flanked by Hirut and Aster, they begin a successful propaganda campaign. Hirut addresses the women and reminds them of their role as warriors in wars past. Word spreads that the Emperor has returned to fight.

Book 2, Chapter 49 Summary

The difficulties of battling the Ethiopian resistance frustrate Fucelli. They believe the Emperor has returned, but his superiors say Haile Selassie remains in England. Rebels have cut rail lines from Axum to Addis Ababa. The orders to report soldiers with a Jewish surname are causing division among the troops.

On the plateau beside the tree, Ettore considers the news about the census. He documents the cook digging beneath the tree. The cook notices but pretends not to. She prays for Tariku and digs for herbs to end Fifi’s pregnancy.

Book 2, Chapter 50 Summary

Elderly women approach the Italian camp claiming they have had visions of the boy, Anbessa, and need to speak with Fucelli to prevent a disaster. They know personal information about Ibrahim, and their presence unsettles the ascari in camp.

Kidane watches the distraction and hopes Seifu will kill Fucelli before the women finish.

Fighters in ascari uniforms attack Fucelli, bind him, and move to castrate him. He soils himself. Fifi arrives, recognizes Seifu, and intervenes. The rebels leave Fucelli humiliated but intact.

Book 2, Chapter 51 Summary

Kidane reprimands Seifu for not killing Fucelli. Seifu claims humiliation is more fitting. He does not mention Fifi, but claims that had they killed him, the surrounding villages would suffer reprisals.

Fucelli has remained in his tent for three days. Only Fifi visits to determine whether he heard her plea with the rebels. The cook advises Fifi to leave because the incident will make him crueler.

Book 2, Chapter 52 Summary

Ettore notices the change in Fucelli’s demeanor and his choice to wear two belts since the attack. Fucelli shares a plan to move the prison higher in the mountains and tasks Ettore with documenting the convoy.

Jembere Kefyalew, the old man who was once the Emperor’s servant, blocks the convoy with his bicycle. Ettore fears another attack, but a laughing driver moves the man without incident so the convoy can pass. The man’s rage frightens Ettore.

Book 2, Chapter 53 Summary

Riots across Ethiopia following the assassination of the Viceroy Rudolfo Granziani and the recent attack on Fucelli have caused paranoia and unrest. Fucelli shows Ettore a high cliff and asks Ettore if he could document an Ethiopian in mid-flight. Fucelli will toss them all from the cliffside. Ettore will comply because Fucelli knows his secrets.

Book 2, Chapter 54 Summary: “Interlude”

Haile Selassie burns himself with a candle and imagines the children burned to death in Italian raids. Ghosts beckon him back to Ethiopia, but he remains in Bath.

Book 2, Chapter 55 Summary

Minim, Hirut, and Aster train, inspire, and recruit as reprisals worsen. They train in their roles until they are reborn into new ones.

Book 3, Chapter 56 Summary: “Photos and an Album of the Dead”

Several photos describe the individuality of the prisoners falling to their deaths. A photo album of the flying prisoners follows, signed by both Ettore and Fucelli.

Book 3, Chapter 57 Summary

An uncensored letter arrives from Ettore’s father. Leo Navarra explains that his reticence has less to do with Ettore’s choice to enlist and more to do with his past life. He had a wife and child in Ukraine who perished in a pogrom. Ettore keeps the letter and rereads it constantly, afraid for his parents.

The cook distributes a psychoactive herb to the prisoners. She tells them to chew it quickly and asks their names, telling them she will keep their names alive. Ettore investigates when he sees her visiting. They chew the herb and laugh at him. When Ettore tries to capture their photographs, their bodies are loose and unphotogenic. They laugh and shout their names and demand to know his.

Book 3, Chapter 58 Summary: “Photo”

In a photograph, a drugged boy clings to a cliffside boulder before his freefall. What the photo cannot convey is that he shouted his name, Zerihun, and it rang like a ricochet from the cliffs as he fell.

Book 3, Chapter 59 Summary

In the future, Ettore will continue to deny knowledge of his father’s life. His father’s missing letter haunts him.

Book 3, Chapter 60 Summary

When Fucelli believes Ettore is avoiding his work, he tells Ibrahim to steal the letter in secret and replace it. Fucelli is perplexed by Leopold’s love and realizes he has never known a father’s love. He finds nothing of use, so he focuses on waging a battle against Kidane that Luce will record as a propaganda film.

Book 2, Chapter 41-Book 3, Chapter 60 Analysis

Part three focuses on the factors that enable or thwart resistance. Rather than depicting war as comprised of the heroic actions of male leaders on one side and the villainous actions of male leaders on the other, Mengiste shows the flaws and inner workings of all leaders. Exposing these flaws, she overturns the myth of war leaders as worthy of glory and adoration. Ethiopia repels the invaders not through the actions of any one leader but through many acts of collective resistance. By examining The Moral Complexities of War, Mengiste asserts that collective resistance can be a more powerful force for historic change than the individual decisions of powerful men.

Not every character resists and overcomes. Through the characters Ettore and Haile Selassie, Mengiste explores the bystanderism that enables personal and national acts of violence. Through distant interludes, Mengiste characterizes Haile Selassie by the hopelessness of his situation as emperor of the colonized Ethiopia. He wallows in his bystanderism, and his personal torment illustrates the conflation of Personal and National Identity in Times of Conflict. He suffers the consequences of the choices he has made, not as his personal identity, Tafari Makonnen, but as Haile Selassie, the embodiment of the Ethiopian state. To preserve an international image of his state as the innocent victim of Italian aggression, he has allowed the Italians to enter unchallenged and attack first, but the League of Nations is weak and does not support his calls for aid. Like Hirut, who is unable to stop Kidane’s nightly acts of marital rape or find support in the wider community, Haile Selassie faces erasure and feels hopelessness. Believing he has betrayed his people twice, and powerless to rally the international community to send aid, he naturally succumbs to depressed inaction. His response is human, not heroic.

Unlike Hirut, who clings to Aster’s rallying cry “we are more than this,” Haile Selassie fails to find a role for himself other than that of victim (114). Italy’s victimization of Ethiopia and the moral complexities of leadership paralyze him. Like Aida in Verdi’s opera—who embodies a racist European view of African submissiveness—he cannot bear the responsibility placed on him and thus waits patiently for the end of his reign. Mengiste’s interludes with Haile Selassie contain little action and rely instead on rumination to examine the ways in which victimization and the mistakes of leadership can cause hopelessness and paralysis. Rather than depicting a hero, she humanizes those who fail to overcome the weight of leadership.

Ettore’s bystanderism is a crisis of personal identity rather than national identity. Rather than becoming paralyzed by the morally questionable choices he has made as leader, Ettore is paralyzed by the guilt of his loyalty to a morally bankrupt cause. Like Haile Selassie, who fears he has betrayed his people, Ettore fears he has betrayed his father through compliance with Fucelli’s leadership. Like Haile Selassie, his perspective is characterized by rumination and the personification of his guilt in his father’s voice. He uses his camera as a shield between himself and his morally questionable orders and wallows in guilt at the acts of violence he commits with his war photography. Ettore is both a victim of the Italian state and a perpetrator of its many violations, a Jewish soldier fighting for a cause that threatens his own existence. Though Mengiste humanizes this position and examines the bystander trauma of soldiers, the language that she uses draws from Greek tragedy and does not excuse or glorify Ettore. Like his photographs, which capture figures frozen between light and shadow, Ettore becomes frozen himself, unable to move toward one or the other. His inactions lead him to a point where he must act against his moral upbringing.

Through Haile Selassie and Ettore’s bystanderism, Mengiste acknowledges the moral complexities of leadership and loyalty that stymie acts of resistance. This examination of the difficulties of resistance reveals why resistance is such a heroic act worthy of the exaltation of epic literature and remembrance in history. To balance the inaction of their bystanderism, Mengiste includes powerful vignettes in which minor characters show heroic defiance despite the impending doom they face. In addition to the defiant and brave image of Tariku as Fucelli hangs him from the gallows tree, Mengiste honors the victims of Italian deathcamps through lyrical descriptions of their pointing fingers and shouting names as they plummet to their death. Fifi’s actions as spy and double agent, the cook’s distribution of drugs to ease the prisoners’ fears, and their theft of Fucelli’s ledger to record the victims’ names are honored with exalted language for the resistance they represent. These unnamed people and their powerful actions contrast with the inaction of leaders like Haile Selassie and followers like Ettore.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 51 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools