54 pages • 1 hour read
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Content Warning: This guide briefly mentions abortion, drug use, child abuse, and anti-gay bias.
In a two-paragraph prologue, Rachel Murray says that she never intended to write this story down. Even though most journalists have a big story or book idea, she says that the process of making books lost its magic for her at the age of 21 and that she has never wanted to be involved in them since.
In 2021, Rachel lives in London and works as a journalist for an expat Irish newspaper, The Hibernian Post. The paper sends her to cover The Late Late Toy Show, an annual Irish program where children review toys for other children to put on their Christmas list. Though it’s not a popular program globally, it is very popular in Ireland and with expats, hence her paper’s coverage. The show is being broadcast at an expat gathering in a SoHo bar.
Walking to the bar, Rachel reflects that it has been a long time since she attended one of these gatherings. She spent several years covering the fight to legalize abortion in Ireland and made many contacts at these gatherings. Now that the repeal has passed, she no longer sees as many expats. She is also seven months pregnant and beginning to feel tired and rundown, so she has spent less time at social gatherings.
At the bar, she is offered a seat at a table of young men. One of them taps her on the leg and asks her something, but she cannot make out all of what he is saying. She assumes he is asking about her best friend, James Devlin, who is now a writer for a popular talk show and lives in New York. However, the man corrects her and tells her he was asking about Dr. Frederick Byrne, their college professor.
Rachel starts to panic upon hearing Byrne’s name. Though this is not revealed to the reader, she is panicking because Byrne had an extramarital affair with James. When his wife discovered he was cheating, Rachel was assumed to be the affair partner, and Byrne, wanting to hide his sexuality, went along with the accusation. This gossip and her guilt about not correcting his wife drove Rachel out of Ireland.
The young man tells her that Byrne is gravely ill and in a coma. Rachel thinks that she needs to call James.
Rachel meets James in 2009 during her last year at University College Cork. They are both working at O’Connor Books, a struggling independent bookstore. James comes up to her at the register and begins gossiping immediately. He thinks she is Sabrina, the woman he had his last shift with. Rachel is shocked that he is so friendly with her and eager to continue the friendship. She had hoped to find other friends who loved to read and have high-minded, dramatic conversations about art, literature, and life at the bookstore. Instead, everyone she works with keeps to themselves and reads in the break room. James seems more real to her than anyone else she has met there.
After the shift, she walks to meet up with her boyfriend, Jonathan, and James keeps her company en route. He makes a series of guesses about her life and teases her about being middle class and having a father who is a dentist. He also makes fun of her for dating Jonathan. Rachel lets him get away with these insults, in part because James is so charming and in part because she and Jonathan have a stale relationship. She believes she is in love with him, but they mostly spend their time together mocking other people or things that are popular. They are both from Cork and resent the fact that they go to the university there as well. James leaves at the door, declining to meet Jonathan.
Weeks later, Rachel is angry because James has not been friendly to her since. She gives him the cold shoulder at work and one day he responds by trying to get her attention. When she refuses to speak to him, he taps her on the back of her knee, making her fall. She shoves him and a book falls off the shelf, hitting him in the eye and making him bleed. She is horrified, but James just laughs, saying, “There she is!” As an apology, she takes him to dinner. Over the meal, she confesses that she works so much because her father has lost all his money in the recession and can no longer pay her school fees. James suggests that the two of them move in together, and she agrees. In later years, they will joke that this was the only fight they have ever had and that it was really with Sabrina since James still did not know Rachel’s name.
Rachel returns home and announces this plan to her horrified parents. As an adult in 2021, expecting her own child, she understands this shock and hopes that her son will not be this callous. In 2009, she does not think of her parents as people with feelings and does not realize that they are until she moves out.
Rachel and James move in together to a house on Shandon Street, a historic part of Cork that is picturesque but rundown. Rachel has never lived anywhere but home and naively believes that they are getting a great deal on the cheap rent. With adult hindsight, she realizes that the house was mostly unheated and falling apart. She and James unpack and bond over his ancient iPod breaking down and playing the same song repeatedly. This dispels the tension, and they make fun of each other’s possessions and dance as they unpack.
Jonathan comes to visit, and she introduces the two of them. In her room, Jonathan remarks that James is obviously gay. James has denied this to Rachel even though she believes his sexuality is obvious. Later in life, Rachel asks James what his plan was and why he hid his sexuality for so long. He tells her he was planning to run away and live where he did not know anyone. She thinks that he did do that eventually.
Dr. Frederick Byrne is a professor of Victorian literature and is very popular among UCC students. As an adult, Rachel thinks that this is probably because he was one of the only male professors, and he fit everyone’s idea of what a professor should look like. He loves to argue both sides of an issue in class and encourages his students to do so as well. To get into his senior seminar, students must submit an essay. Rachel does so and meets with him one-on-one to discuss the essay with him. She is nervous because she is attracted to him. He questions her about her motives for an English degree and she is unable to provide a satisfactory answer. The truth is that she did not know what else she wanted, and she was good at reading: “In the absence of any other discernible gift, it seemed like a fine thing to pursue, if only to receive more praise” (35). She leaves the office discouraged but later receives an email saying that Byrne accepted her into the seminar. She is elated.
Shortly after Rachel moves in with James, Jonathan breaks up with Rachel. Reflecting on the incident, Rachel understands how annoying she and James were. They invented an instantaneous world of inside jokes and comedy bits, and Jonathan was disturbed that she was no longer the person he knew. After the breakup, Rachel realizes that she never truly loved Jonathan. She transfers her affection to Dr. Byrne and develops a crush on him.
One day, Byrne comes into the bookstore. The two of them briefly share some banter about Hemingway and Dorothy Parker, and then Byrne asks her to check and see if his newest book, The Kensington Diet, has any pre-orders. He is sheepish about the request and Rachel finds this endearing, so she lies and says that there are 15 of them. Byrne is shocked and delighted since the book is an academic take on the Irish famine and is not expected to be popular. Rachel stays late after work making up customer profiles to fake the preorders. James teases her over her crush but stays late to help her.
Later, Ben, the store manager, asks why there are so many preorders, thinking the book is a diet book, like Atkins. James helps Rachel convince him to do an in-store book signing with Byrne. They are excited by the idea and Rachel hopes that Byrne will have a drink with her after she tells him the good news. Instead of being elated, Byrne is taken aback when Rachel suggests the signing to him. He finally agrees, but then disappoints her by giving her his wife’s email and telling her to communicate with Deenie about the signing since she is his publisher.
The opening section of the book introduces readers to both versions of Rachel: Rachel as an adult and Rachel as a college student trying to find her way in the world. The novel is told in the first person by adult Rachel in 2021-2022, looking back at her life in 2009-2010. Caroline O’Donoghue uses this narrative technique to enable adult Rachel to provide insight and foreshadowing. She sprinkles the early chapters with references to events that are not fully explained, like who Dr. Byrne is and why everyone in Cork thinks Rachel was sleeping with him, as well as opening the novel with Rachel saying that she never wanted to write this story. The truth of these events gradually unfolds to the reader through the novel’s dual timeline. The adult timeline also establishes that Rachel’s relationship with James Devlin is still thriving and vital to both of their lives, setting up one of the novel’s key themes, The Importance of Enduring Friendship.
The novel takes place against the backdrop of several important events in Irish history: the 2008 crash and recession and the 2018 repeal of the abortion ban. O’Donoghue weaves these events in and out of the opening chapters and the impact of them is felt in the characters’ lives. Rachel’s family struggles to make a living after the crash, and their comfortable middle-class life is disrupted. This economic crisis forms the first step of her bildungsroman or coming-of-age story. Because of her family’s financial struggles, Rachel goes to work at the bookstore, where she meets her lifelong best friend, James. The abortion crisis also shapes Rachel’s life—both directly, as later chapters reveal her unwanted college pregnancy, and indirectly, as she becomes a journalist helping to campaign for the repeal.
While the adult versions of Rachel and James are successful professionals who seem content with their lives, the college versions of them are much messier. Rachel’s college years are defined by Experimentation as a Means of Self-Exploration. As she struggles to find an identity, she tries on a persona Rachel calls Girl Who Works in Bookshop, who is characterized by her “glassy reserve.” This persona is intended to hide Rachel’s insecurities about her height, body, and new working-class social status. However, it mainly drives away potential friends, and she is isolated at the bookstore. James is the only employee who sees past the disguise, exclaiming “There she is!” when he finally makes her angry and she speaks to him like a normal person. Her initial affection for James is due to her perception of him as a kind of “bright light” that shines into her life. He is everything she thinks she is not—bubbly, charming, funny, and charismatic. As her friendship with James develops, Rachel tries on new identities, helping her discover who she will eventually become. James and Rachel’s friendship quickly eclipses her lackluster relationship with Jonathan, and as an adult Rachel tells readers, “I would be colonised by James on a molecular level, and my personality would mould around his wherever there was space to do so” (16). Less visible here, but apparent later in the novel, is the way that Rachel also colonizes James. Their relationship connects the themes of Experimentation as a Form of Self-Exploration and The Importance of Enduring Friendship to show how friendship is central to discovering the self.
Even in the first chapters, through adult Rachel’s narration, careful readers can glimpse the cracks in James’s persona, exposing the way he too is using Experimentation as a Means of Self-Exploration. Like Rachel, when they first meet, he is primarily trying to conceal aspects of himself under a persona. He is less secure than Rachel thinks he is. One major clue to this is his insistence on pretending to be heterosexual. He tells Rachel, “I’m camp as a row of tents, I know that, but I’m not gay” (28). Later in life, he admits to Rachel that he planned to move far away before coming out so he would not have to face derision or censure from people he knew, including his family. His fears of anti-gay bias reflect the cultural climate of early-2000s Ireland and the fact that same-sex sexual contact was illegal in Ireland until the 1990s. James is also not as unselfish as Rachel believes him to be. He needs her to help him make rent on the apartment, and he makes sure that she takes the room he does not want. She has never lived anywhere but home and is naive to the fact that the room by the stairs will be less comfortable than James’s room.
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