49 pages • 1 hour read
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The story follows Cassandra to London in 2005. She’s baffled by her own quick decision to board a plane to see the cottage that her grandmother left to her and has brought the white suitcase on board with her. In it, Cassandra finds a notebook written by Nell in 1975. Nell says that she finally found her truth and that she plans to leave Brisbane and move to England. Cassandra realizes that Nell’s plans were derailed because Cassandra came to live with her grandmother just as she was packing to leave the country.
Cassandra switches her attention to the book of fairy tales and begins reading a story called “The Crone’s Eyes.” In it, a lost princess comes to live with a blind crone. The crone explains that her eyes were taken by her well-meaning father to prevent her from seeing the death and destruction in the world. She was to receive her eyes back on her sixtieth birthday but couldn’t meet the messenger who brought them because the princess arrived that night and needed her help. The princess vows to retrieve the eyes before the crone passes away. After many hardships and adventures, she returns with the eyes only to learn the old woman has died. The princess weeps to learn her efforts were in vain. A companion tells her, “It matters not, for she did not need her eyes to tell her who she was. She knew it by your love for her” (100).
In 1975 London, Nell meets with an antique book dealer named Snelgrove, who’s an expert on Victorian fairy tale authors. He says that Nell’s book is a rare collectible and offers to buy it. When she declines, he shows her a biography of Eliza Makepeace. Nell reads that Eliza was the daughter of an aristocrat and a bargeman. After her father’s death, Eliza’s mother was too proud to ask for her family’s financial assistance. She died of tuberculosis when Eliza was 11, leaving the girl and her twin brother to fend for themselves. Linus Mountrachet, Eliza’s uncle, found the girl and relocated her to the family’s Cornish estate of Blackhurst Manor. She lived with her uncle’s family until she was 25. Having penned only one complete book of fairy tales, Eliza vanished in 1913, and her whereabouts after that point were a matter of speculation. A charcoal sketch of her, drawn by artist Nathaniel Walker, hangs in the Tate Gallery in London. It’s entitled The Authoress.
Eliza now takes over the narrative. The year is 1900, and she’s living in a London slum with her twin brother, Sammy. Sammy is a chimney sweep while Eliza works as a laundress and catches rats as a side job. The children are at the mercy of their landlord and landlady, the greedy Swindells, who threaten to alert the authorities to the orphans if they don’t give the Swindells all their pay. Unbeknownst to the Swindells, Eliza’s mother has left her a valuable heirloom brooch but cautions her never to sell it through an auction house. The sale might alert her mother’s family to their whereabouts: “Mother was worried about the Bad Man, the one she’d been warning them about all their lives. Who could be anywhere, lurking behind corners, waiting to catch them” (125). In addition to the brooch, Eliza has managed to hide some money in a chink in her bedroom wall. She plans to use the coins to buy oranges that she and Sammy can sell. They could be rid of the Swindells and set up for themselves. Eliza assures her brother that she’ll take care of them both.
In 2005, Cassandra is met in London by Ben’s daughter Ruby. Ruby is an energetic extrovert who insists that Cassandra stay with her rather than at a hotel. Although Cassandra wants peace and quiet, she politely puts up with Ruby’s chatter. After Ruby goes to bed, Cassandra sits by a darkened window, contemplating what London must once have been like:
A city where nightfall turned the streets to pitch and the air to fog: Jack the Ripper’s London. That was the London of Eliza Makepeace, the London Cassandra had read about in Nell’s notebook, of mist-filled streets and looming horses, glowing lamps that materialized, then vanished again into the fog-laden haze (132).
The narrative returns to Eliza in 1900 London. On a foggy day while the Swindells are both out foraging, Eliza decides to play a game of Ripper, which she invented with Sammy. One player impersonates Jack the Ripper, and the other player is his victim, known as Mother. The object is for Mother to escape the Ripper’s clutches. Eliza takes the role of Mother. Sammy gives her a 10-second head start before he begins his pursuit. Eliza quickly slips away toward the river. Behind her, she hears a crash, a horse whinnying, and a man shouting. She doesn’t turn around but keeps running. Several minutes later, she realizes Sammy isn’t following. Retracing her steps, she is horrified to find her brother lying in the street, trampled to death by a carriage horse.
After his body is brought home, Eliza begs Mrs. Swindell to give Sammy a proper burial instead of a pauper’s grave. The girl briefly considers selling her mother’s brooch to pay for a funeral but ultimately rejects the idea: “It was her own fear that the future held worse than the past. That there would be a time, lurking in the foggy years to come, when the brooch was the lone key to her survival” (142). In the weeks that follow, Eliza begins to wear Sammy’s clothing as a way of keeping him alive in her mind. When she cuts off her long red hair, she’s surprised how much she resembles her dead twin. Having made this adjustment to her appearance, she goes on with her life of drudgery.
The story returns to Cassandra in 2005 on the morning after her arrival in London. She goes to meet Ruby at the Victoria and Albert Museum, where Ruby works. There, Cassandra sees a collection of unfinished sketches by Nathaniel Walker that have been loaned to the museum. A woman in Cornwall found them among her mother’s things. Cassandra recognizes the sketches as early drafts of the illustrations in Nell’s storybook. After Cassandra leaves the museum, she consults Nell’s notebook and finds a street in Battersea marked with an X. She resolves to get to the bottom of her grandmother’s mystery: “It had mattered to Nell and it mattered now to Cassandra. This puzzle was her inheritance. More than that, it was her responsibility” (152).
The novel shifts to Nell’s point of view during her London trip in 1975. She has found a house on Battersea Church Road where Eliza once lived. When she knocks on the door, no one answers. Instead, a frowsy old woman steps out of the house next door and says she was born in the house Nell wants to visit. Her name is Harriet Swindell. When Nell shows her a picture of Eliza, Harriet recognizes her instantly. Eliza lived with the Swindells and used to make up terrifying fairy tales that delighted all the children.
After leaving Harriett, Nell goes to the Tate Gallery to see Nathaniel Walker’s portrait of Eliza. While there, she glimpses the portrait of another woman whom Nell recognizes—her mother. The woman’s name is Rose Elizabeth Mountrachet. Nell feverishly searched the reference library to find out Rose’s background and learns she was married to Nathaniel Walker, and they had a daughter named Ivory Walker. Rose and Ivory were Nathaniel’s favorite portrait subjects, and Nell soon finds a painting entitled Mother and Child in which she recognizes herself.
Digging further into the historic record, Nell discovers that her parents died in a train accident in 1913. This timing dovetails with Nell’s trip to Australia. Nell is relieved to realize that they didn’t abandon her after all, but she’s confused to find that Ivory Walker supposedly died of scarlet fever at the age of four. Nell believes she can only unravel this mystery if she goes to Blackhurst, her family’s home in Cornwall.
This set of chapters is told from three different points of view, and three different timeframes, all in the same location. We see Cassandra in 2005 as she journeys to London, Nell in 1975 making a similar trip, and Eliza living in London in 1900. All three characters are plagued by an inability to define themselves.
Nell can’t remember who she is because she was four years old and also received a head injury that caused amnesia. Cassandra is dealing with a different identity crisis in that her grandmother isn’t the person Cassandra imagined her to be. Eliza’s mother orders her to hide her real identity lest the Bad Man find them. Further, Eliza suffers another identity crisis after Sammy dies. As a twin, she feels an immense bond with her lost brother that causes her to don his clothing and cut her hair so that she resembles him. Each character is utterly alone in the world as they begin to redefine themselves after circumstances have pulled the ground out from under them.
Fairy tales emerge as a plot device leading each of the three forward in their quest. Nell has brought the book of fairy tales with her on the plane. When she consults an antique book expert about it, he leads her to a biography of Eliza. Cassandra also brings the book along on her journey and reads one of its stories called “The Crone’s Eyes,” which parallels her own search for Nell’s lost past. In 1900, Eliza has begun spinning stories in her head that she tells to the Swindell children. Nell’s world intersects with Eliza’s when the former meets Harriet Swindell.
In addition to the motif of fairy tales, we also see these chapters employing images that offer clues. Through Ben’s daughter, Cassandra stumbles across Nathaniel Walker’s sketches for Eliza’s book. Nell visits the Tate Gallery in hopes of seeing a portrait of the Authoress but also finds her mother and herself depicted there. An image of a different sort offers an epiphany to Eliza. After she cuts her hair and puts on Sammy’s clothing, she sees herself as the living embodiment of her dead twin.
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By Kate Morton