59 pages • 1 hour read
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The Dovekeepers features four female protagonists, whose stories explore the challenges that women must face while navigating their statuses and roles in their patriarchal society. Throughout these four narratives, the text explores the solidarity and resilience of women.
The Dovekeepers presents a society in which women have a subordinate role. Yael, Revka, Shirah, and Aziza face many limitations. They are supposed to obey their fathers and husbands, largely confining their activities to the domestic sphere. Even the slightest hint of dissent or difference from a woman can lead to accusations of witchcraft, as is the case with Shirah and her magical spells. Revka observes that the dominant belief of her time is that women cannot understand the nature of Adonai or God, which implies that they are inherently inferior. Women’s matters, such as menstruation, childbirth, and domestic issues are considered “unclean” and outside the more important concerns of men. In sexual relationships, the burden of purity falls on the women: For instance, though Ben Simon is over a decade older than the teenaged Yael, it is Yael whom her father blames for “tempting” the married man.
Despite these obstacles, all four of the female protagonists demonstrate their continued resilience. Yael is proud to bear her son Arieh and rejects her father’s violence by seeking refuge with Revka. Revka avenges her daughter’s death and her own rape by poisoning her Roman tormentors and leading her surviving relatives to safety. Aziza embraces her potential as a warrior and archer, winning admiration for her martial skills and choosing to serve in her brother’s place in battle. Shirah refuses to change who she is in spite of social ostracism and persecution, boldly continuing to cast her spells to help other women and even telling the future.
The female characters also foster solidarity and resilience through their close bonds with one another. When the male priests dismiss Revka’s concerns for her grandchildren as trivial, it is Shirah whom she seeks out for help. When a household worker has a difficult labor, the women of the dovecotes come together to deliver the baby. Yael becomes the quasi-daughter of Shirah at the end of the novel and takes on her identity—a full-circle moment for the pair, since it was Shirah who cared for the neglected toddler Yael at the book’s beginning.
At the end of the novel, Yael and Yehuda are two of the only seven survivors of the siege. Thus, the solidarity between the women keeps both themselves and the children alive, enabling them to start a new life in Alexandria where they can honor the memory of Shirah, Aziza, and the other women they have known and respected.
The novel explores the complex interplay between faith, destiny, and free will by presenting characters that have various interpretations of what faith and agency mean to them. While some of the characters embrace a passive belief in inalterable destiny, others choose to take a more active role in determining the course of their lives.
While the female protagonists share a Jewish faith, they experience faith in ways that differ from the traditional patriarchal practices of the men. Shirah is strongly associated with magic and unabashedly combines her sincere belief in the Jewish god with the worship of female pagan deities. Practicing magic helps women like Shirah feel that they have control over oppressive forces, whether it be disease, death, or a rival in love. The fact that many magical spells are passed down from mother to daughter reinforces the idea of magic as a powerfully female domain. When women are in distress, they turn to Shirah for her help, as Revka does when the male priests do not take her concerns over her grandsons’ inability to speak seriously. In this sense, faith and magic play positive roles in the lives of the characters, offering women an outlet for agency and self-expression unmediated by men.
However, many of the characters also feel torn between a religious sense of destiny and a more active assertion of their own free will, which complicates their experience of faith and magic. Premonitions, signs, and omens are rife within the novel, depicting a world in which many characters believe that their fate is determined by outside forces, such as when Yael thinks, “what happens is already written” (34), or when Shirah’s premonitory powers make her believe that everyone she loves is doomed. The Essenes are the most extreme example of this belief in destiny. Abba, the elder of the Essenes, believes the signs say the end of the world is near. Therefore, he argues, the best way to honor God is by accepting his will and living in peace: “You cannot fight what is meant to be with weapons or with curses” (310).
Ultimately, the women must decide at the end of the Siege whether to accept their purported fate or to shape their own destiny. Although Shirah herself believes in prophecies and signs, she does not hesitate to act out of free will when the need arises. She tries to save her newborn daughter Yonah, which ensures that she becomes one of the few survivors of Masada. Revka and Yael, meanwhile, become the sole surviving adults of the Siege thanks to taking Shirah’s advice and hiding in a cistern. In choosing to live despite the dangers of war and death, these women assert the possibility of living their lives actively instead of passively.
As Shirah notes in the novel, “Even as a small child, I understood that woman had secrets, and that some of these were only to be told to daughters. In this way we were bound together for eternity” (398). Shirah’s words show how secrets and stories passed between women advance culture and memory in the novel, emphasizing the significance of storytelling.
For the female characters, storytelling is especially significant because their histories are often in danger of being subsumed or sidelined. They thus maintain and pass down their identity and values through oral histories, books of magic, and stories. Shirah’s gift of her mother’s book of spells to Yael is an important symbol of this transmission. Although Shirah knows she will die, she tells Yael she must keep the book safe, revealing her desire to keep her legacy and magic culture alive. The women also engage in storytelling through the exchange of personal secrets: Revka confesses her deepest guilt to Shirah, and even Channa admits to Shirah that her actions have been wrong. By pouring their hearts out to each other, the women strengthen their ties of solidarity and support with one another.
Shirah inherits her mother’s stories, spells, and languages. She passes these on not just to Aziza, her biological daughter, but also to Yael, her spiritual successor. Shirah teaches Yael the Hebrew and Greek alphabet, knowing the power of writing and words. Yael’s knowledge of Greek proves essential in getting Silva’s attention, thereby securing her group’s safe passage. Significantly, what Yael tempts Silva with is her memory of the Siege of Masada. It is this memory that is “recorded and written down and sent to Rome” (498), turning Yael into both a storyteller and a historian. Yael notes that each time she and her group tell their story, it gains power: “The story became a cloud, and the cloud a sheet of rain, and rain fell throughout the empire” (498). Yael’s words are a metatextual allusion to Josephus recording the story of Masada’s survivors. In time, this story became a symbol of hope and courage in Jewish culture.
In the last section of the novel, Yael explains that she never told Silva and the Roman scribes the story of her freeing the lion, though her children “know the tale by heart” (500). Yael reserves this secret story for her children because it is a story of courage and survival, the story of “the lion who will have to fight for a land of stones” (500). It is a story pertinent to Yael’s religious beliefs, since she thinks her people will continue to face oppression and persecution. In the story, the lion goes free, and thus, she passes to her children the cultural memory of not just peril, but also courage and hope.
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By Alice Hoffman
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