53 pages • 1 hour read
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Content Warning: This text features discussions of enslavement, sexual assault, suicide, self-harm, domestic abuse, racism, sexism, classism, anti-gay bias, alcohol abuse, and violence.
Opal, the protagonist and narrator, relates that she has always had dreams about the mysterious and supposedly haunted Starling House, a famous yet feared landmark in her town of Eden, Kentucky. As a child, she read a book called The Underland, which was written by the original owner of Starling House, Eleanor Starling. Although Opal also dreams of being a writer, she resolves to forget all of her dreams and focus instead on the task of providing for herself and her younger brother, Jasper, after the deaths of their parents.
(Throughout the chapter and the novel, an objective third-person narrator inserts explanatory footnotes into the narrative.)
Braving the cold, 26-year-old Opal walks home from her job at Tractor Supply after a particularly hard day. She worries that poverty will keep her and her brother, Jasper, stuck in Eden. Passing Starling House, she sees a light in the upstairs window and inexplicably wishes that she could go inside. When she approaches the gate of the house, she sees someone on the other side and assumes it is Arthur Starling, the reclusive heir of Starling House. Many rumors circulate around Arthur and his deceased parents, so Opal is surprised to observe that he is a normal-looking man around her age. Opal approaches him bravely, but after a moment of trying to act nonchalant, she realizes that the man is shaking with rage. He tells her to run.
As Opal runs from Starling House, the narrative switches to a third-person perspective that focuses on Arthur and his knowledge that the house wants Opal. He speaks to the house as if it has a mind of its own. Arthur has promised to be the last “Warden” of the house. (This role is later revealed to be the duty of all Starling House’s inhabitants. The Warden must protect the house from the mythical beasts that lie beneath it.) Arthur hopes that Opal will never return.
Opal is terrified as she runs back to her room at the Garden of Eden Motel and vows never to return to Starling House. That night, however, she has a nightmare about the house and returns a few days later. At the gate, Opal feels an inexplicable connection to the house. She notices that it is covered in mysterious symbols. When Arthur opens the door, Opal lies, telling him that she wants to take a few pictures of the house for an architecture class. Although Arthur initially refuses her entry, he soon surprises her by offering her a job.
The third-person narrator describes Arthur’s immediate regret over his decision to offer Opal a job. He realizes that he recognizes Opal. (The novel later reveals that he saved Opal from the accident that killed her mother.) Now, after some bargaining, Opal agrees to work as Arthur’s housekeeper, starting the following day. Arthur gives her a key that reminds her of The Underland.
Back at Tractor Supply, Opal’s coworker, Lacey, tells her about the rumors that the Starling House is inhabited by satanists. At home, fueled by ambitions to write a story of her own, Opal researches Starling House and the author of The Underland, E. Starling. Although The Underland was not well received upon its publication, a Wikipedia page mentions that the book has since influenced many other children’s picture books and Gothic works. It has also been adapted for the stage and the screen.
When Opal goes to Starling House the next morning, Arthur seems as morose as ever, and he quickly leaves her alone to wander the house. Opal sees several old portraits of the past owners, all of which feature a sword. The paintings’ eyes seem to watch her as she begins the impossible task of cleaning the house. Once she is gone for the day, Arthur thinks of his mother, remembering a time that his father stitched up his mother’s wounds after she returned from an unspecified battle.
Bev, the owner of the motel, argues with Opal about living at the motel for free. The exchange reveals that Opal’s mother struck an unknown deal with Bev before she died, and Bev also mentions that Gravely Power, a company that started locally, has since grown exponentially and is expanding once again. When Opal asks about the Starlings, Bev tells a story that her grandfather once told her. The rumor in Eden is that Eleanor Starling, the original owner of Starling House, killed all three of the Gravely brothers, one of whom she had married only the day before. Eleanor also disappeared just after the third brother was killed. The house is rumored to be haunted, but locals disagree about the manner of Eleanor’s death and the nature of the forces that supposedly haunt the house.
Opal stays up late to write down Bev’s story, including the fact that Arthur delayed calling the police for days after his own parents were found dead. Opal briefly contemplates staying away from Starling House, but she knows that working there is the only way she can afford to pay for Jasper’s asthma medication and his tuition to the elite Stonewood Academy. Her ultimate goal is to enable him to leave Eden and find a better life elsewhere. Throughout the remainder of the week, she discovers a variety of peculiarities such as secret doors and mysterious passageways. One day, she runs into Arthur in the library; he is researching something mysterious and refuses to answer any of Opal’s questions. After several weeks of working at the house, Opal finally begins to feel that she has made the first floor livable, and despite the property’s many mysteries, she starts to feel like she belongs there.
Arthur continues to behave coldly toward Opal. One day, he inadvertently locks her out in the cold weather, and she finally snaps at him and explains that she has given the only coat she owns to her brother. That night, Arthur leaves Opal a coat along with her wages. After Opal leaves, Arthur continues his unusual and mysterious activities, which include practicing his swordsmanship, adding information to a bestiary that features research from generations of Starlings, and tattooing images from the bestiary onto his own skin.
One morning, a representative from Gravely Power, Elizabeth Baine, approaches Opal in the parking lot of Bev’s motel. (Gravely Power is owned by Don Gravely, who lives just outside Eden’s city limits.) Elizabeth tries to convince Opal to arrange an introduction with Arthur, but Opal refuses. From Elizabeth, Opal learns that Don Gravely knows about her and Jasper’s living situation and wants to help. However, Elizabeth’s tone insinuates that she is making a threat. Opal does not tell Arthur about this encounter.
The first chapters of Starling House introduce The Interplay of Truth, Stories, and Power, for the narrative relies upon local legends and storytelling to convey bits and pieces of Starling House’s ominous history, as well as the town’s current wariness of both the property and its inhabitants. Thus, a traditionally Gothic sense of foreboding imbues the novel from its very first pages. The storytelling theme will be further intensified in Chapter 6, when Opal hears the first of what will eventually grow to become a collection of six distinct stories about Starling House’s origins and history, all of which are adorned with bold headings such as “This is the story of Starling House” (57) or “This is the truth about Starling House” (87). The author uses this stylistic technique to craft a sense of oral tradition in Eden, as well as to emphasize the elusive nature of stories in general, for such tales often obfuscate the facts in the process of creating more subjective “truths.” The story that Bev tells Opal is the one that most closely reflects everything the protagonist has heard about the haunted house from other citizens of Eden; it focuses on the mysteries associated with the murder of the Gravely brothers during Eleanor’s time and the general agreement that she was the murderer. This first bit of lore therefore serves the purpose of establishing a baseline of sorts, and many of Opal’s actions will be geared toward unraveling the deeper mystery of Starling House and discovering the truths that lie beneath the stories.
As she begins to work at the house, Opal is influenced by these stories and believes in the magical qualities ascribed to Starling House. Her view of Arthur is also influenced by the rumors that taint his reputation, and she is therefore hesitant to trust him, believing what she has been told about his supposed lack of concern after his parents’ deaths. Because Bev’s story represents the version of events that most Eden residents believe, it holds a great deal of significance to the overall plot, for it profoundly influences Opal’s initial perspective even as it foreshadows her endeavors to discover the real truth about Starling House. It also represents the ways in which false narratives can prevent people from effectively Grappling with the Past, for as the novel will later reveal, Bev has simply repeated a story that has been deliberately spread in order to hide what actually happened. Though this first story ends up being the furthest from the truth regarding Eleanor Starling, it is the one that has persisted because it stems from the beliefs of the Gravely family: the most powerful family in Eden.
It is also important to note the author’s use of biblical symbolism, for both the town of Eden and the Garden of Eden Motel represent allusions to the Garden of Eden: the place in which the first humans are believed to have lived in paradise, according to the Christian faith. Ironically, however, Opal and Jasper’s poverty-stricken existence in the Garden of Eden Motel is the precise opposite of paradise, and it is also significant that the land in Eden is divided between the Gravely family and the Starlings, with the Mud River running between the two regions. This division symbolizes the ongoing contrast between the two families and their respective roles in Eden. However, even this division is meant to be ironic, for it will later be revealed that the Starlings are descended from the Gravely family, which implies that the two separate areas of land once made up a larger whole. In a further emphasis of the importance of setting, the author establishes the eerily looming Gravely power plant as a sharp contrast with the incongruous Starling House. From the stories that Opal hears around town, she quickly learns that the Starling House means something different to everyone, including those who have never seen it. While many of the people of Eden either fear the house or disbelieve the stories that surround it, Opal is the only one who feels drawn to the house. In fact, she even feels safe there despite her observation that Arthur Starling is reluctant to be in his own home.
The theme of Using Dreams as Motivation is also highlighted in this section of Starling House, particularly as it pertains to Opal. In the first chapter, she argues, “Dreams aren’t for people like me. People like me have to make two lists: what they need and what they want” (11). Opal believes that she is not entitled to pursue her own desires or dreams because she is too focused on taking care of her family’s basic needs. Due to her economic situation, Opal must tear herself away from the one thing she dreams of—Starling House—and put Jasper’s welfare above everything else. Demonstrating a deep devotion to her only remaining family, Opal is willing to risk everything to get Jasper out of Eden, for she believes that leaving the area will be best for him. This extent of her desperation is reflected in her willingness to accept a job at a house she believes to be haunted and possibly inhabited by a murderer. When Elizabeth finds her, she cruelly uses Opal’s devotion to Jasper as leverage, for she knows that Opal will risk anything to ensure Jasper’s safety and success. Throughout the majority of the novel, Opal’s priority is to do everything she can for Jasper, yet this priority repeatedly causes her harm, and she will eventually begin to question and shift her goals.
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