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In the working-class logging towns along the Wakonda, the strike has become a major topic of discussion. Draeger and Evenwrite travel to build support for the strike and convey information: The union is asking for a six-hour day with eight-hour pay to maintain productivity. Draeger learns that the Stampers have struck a deal with the Wakonda Pacific logging company to increase the family operation’s productivity while the union workers are on strike. Meanwhile, we see slices of the lives of other characters, including the bartender Teddy and sometime prostitute Indian Jenny.
Lee is a graduate student in literature at Yale. He shares a house with Peters, who is working on his doctoral dissertation in literature. Lee himself has somewhat given up on school. He uses drugs, is in therapy, and has attempted suicide because of the stress of the death of his mother Myra, who committed suicide by leaping from a tall building. The narrative shifts to Lee’s first-person voice as he receives the postcard from Hank. Though Peters tries to talk Lee out of it, Lee decides to go west to the Stamper home. He explains to Peters that he will get revenge on Hank, “to settle my score with this shadow from my past” (77). Lee boards a bus and takes some drugs to make the journey go by faster. He has a vision of his mother walking into a bar and seeing him when he gets a phone call about flunking his exams.
Shortly before Lee arrives, Evenwrite confronts Hank about breaking the logging strike. Approaching the Stamper house, Lee sees Hank and a woman, presumably Hank’s wife Viv, on the other bank. Lee gets in a boat to cross the river to the house and Hank swims out to him, meeting him halfway. Lee is surprised to see how well kept the sprawling Stamper house seems.
The second section of Sometimes a Great Notion exemplifies the novel’s technique of merging the voices of multiple characters. Kesey’s technique is cinematic, resembling cut scenes in a film. Taken together, the various characters’ voices and stories are a montage of town life, showing how the logging union’s struggle and the Stampers’ refusal to stop working have impacted the town socially and economically.
Lee’s experiences at Yale provide a striking contrast to Wakonda life. The urban setting is completely different from the Oregon wilderness of the Stampers. The conflicts Lee faces—depression over his mother’s suicide, drug abuse, and poor performance in graduate school—are internal, unlike battle against nature and the class struggle between the union workers and the logging corporations that define the lives of his estranged family. Lee’s interest in literature and his friendship with Peters demonstrate how different Lee is from Hank.
Hank’s letter cuts to the heart of the multifaceted pull of the Stamper bond. Many of Lee’s emotional difficulties come from his traumatic memories of learning of the affair between Myra and Hank. His resentment and anger have festered over the years, so the sudden opportunity to exact revenge against Hank is powerful. However, Lee’s inability to succeed in grad school suggests that he is out of place at Yale and among intellectuals. His decision to return to Oregon also foreshadows his eventual decision to stay on the Wakonda to help Hank—his desire for self-actualization as a woodsman overcoming his aesthetic sensibilities.
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