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Goggins recalls being in peak physical condition for the Air Force’s Pararescue school but dropping out over fear of the water exercises. To qualify as a Navy SEAL, he had to develop his “Mental Lab”: a space where he transformed insecurities and excuses into fuel for improvement. He needed to lose over 100 pounds in under three months for SEAL training but prioritized mental fitness over physical conditioning because “[y]ou don’t need six-pack abs when your mind is steel-plated” (69). He designed endurance workouts to build mental strength.
In his Lab, he developed his “savage” alter-ego, someone who can overcome any obstacle. Soon after, he went through three SEAL Hell Weeks and trained with broken bones. He refers to the weak, scared, former version of himself as “David,” whom he contrasts with the savage side of his psyche. The author argues that everyone can access a Mental Lab for this type of self-reinvention.
Six weeks after his heart scare, however, Goggins realizes he has lost some of his savage mindset. He receives an email asking him to run that summer’s 100-mile Leadville Trail race to raise money for charity, but he does not respond immediately. He doubts his ability to complete the race, although he has run Leadville before. He also notes his recent heart problems and thinks his public-speaking schedule would hinder training.
The hesitation and excuses trouble Goggins. He fears that satisfaction over earlier accomplishments, such as his recent book success, has sapped his drive to truly challenge himself. He looks in the mirror and sees David, not the savage. Even his physical training now feels like maintenance instead of betterment, and he thinks he has become “just another runner” (78).
Goggins realizes he needs to return to his Mental Lab and reclaim his savage mentality, which he will lose if he does not feed it. He signs up for Leadville, closes his speaking calendar, and starts training. He and Kish travel to Avalon, New Jersey, where he logs daily runs of 15 to 20 miles, pushing through the challenges of heat, humidity, and dehydration. Again, adversity becomes fuel. During one brutally hot run, when everyone else is indoors, he relishes being uncommon and reconnects with his inner warrior.
Goggins introduces the One-Second Decision. He argues that people give up on dreams in moments of panic or suffering. These are reactions, however—not decisions. Goggins recounts that during his second Navy SEAL Hell Week, a fellow trainee, Mora, became overwhelmed and impulsively opted out, which he later regretted. The brutal water exercises tempted Goggins to do the same, but he instead paused, like a soldier taking a knee to reassess a battle scene. He considered the consequences of quitting, which would color his entire future. Evolution 3 advocates resisting the fear-induced impulse to quit when dreams get scary. Goggins explains that winning in those difficult seconds is the key to persevering, because it only takes one second to end a dream.
Kish and Goggins arrive in Colorado two weeks before the Leadville race to acclimatize to the altitude. His sleep is poor, his lungs ache, his legs are tight, and his training pace is declining. Kish offers to cancel his entry, giving him an easy and excusable way out. He recalls, however, that he always started ultramarathons with a tired body and never needed fresh legs. He needs his mind to be prepared, and it is. He remembers the steep climbs and rough conditions of past races and feels confident.
At the starting line, he is shocked by how many runners are there, reflecting that ultra-racing has gone mainstream since his last race. He reasons, however, that his only competitor is himself. He sets a goal to finish the 30-hour course in under 24.
The course features several false summits, and Goggins watches other runners’ disappointment when the terrain deceptively levels out before another tough climb. He notes that there are many false summits in life, on and off the trails. He says that “hard chargers” take pride in difficult tasks, staying in “attack mode” rather than wishing for challenges to end. Still, he begrudgingly accepts trekking poles from his pacer, which help him power up steep inclines even more quickly. His confidence increases, and his strength triggers a memory of himself as a scared kid in grade school.
Goggins recalls developing a stutter in third grade, which worsened his struggles with reading, so he always looked for a way out of public speaking. He was the school’s only Black student and felt his stutter made him stick out even more. He felt unintelligent and could not envision personal success. Goggins acknowledges that many people are likewise haunted by insecurities that prevent them from recognizing opportunities. Goggins reflects on the metamorphosis that turned him into someone who grows through adversity instead of seeking an exit. He feels proud of his younger self, thinking, “It is truly amazing what that little motherfucker accomplished” (106).
Before signing up for Leadville, Goggins doubted his mental and physical stamina, but 13 miles from the finish, he knows he has reclaimed his savage nature. The feeling intensifies when another runner boasts as he passes Goggins, who is only slowing down to help his struggling pacer. Fueled by the comment, Goggins feels the return of an old hunger that propels him through the final stretch and reawakens his obsession with competition. He wonders what challenge will come next.
Goggins stresses the importance of finding freedom from trauma before one hits rock bottom. Because trauma upends ideas of normalcy, a victim must seize moments of clarity and use a “Hard Stop” to regroup and find a way out. This may mean asking for help. Otherwise, victims risk losing all sense of self-worth and remaining prisoners inside the emotional walls they put up for protection, as he saw his mother do.
This section begins with Goggins’s explanation of his Mental Lab, and his imagery establishes a very active, industrious scene; he constructs the space, mines raw materials, and transforms those materials through his experiments. As before, he uses references to his difficult past to support his claim that everyone can reinvent themselves in their own Mental Labs. However, he also uses detailed imagery when describing the current condition of most people’s laboratories, which he depicts as deadbolted, chained, dusty, covered in weeds, and full of broken equipment. The sharp contrast is a call to action for readers and establishes the need to cultivate Mental Versus Physical Strength.
Goggins directs this call to himself in these chapters. Whereas much of the book illustrates the power of the savage mentality in action, here Goggins finds himself locked out of his own Mental Lab and disconnected from his warrior identity. As a result, the reader and Goggins undertake the exercise of Evolution 3 simultaneously. He warns the reader against the pitfalls of comfort, which can lead to quitting, while he is hesitating to commit to Leadville in the wake of his heart scare and book success. This establishes a commonality between the reader and author, whose story is otherwise quite exceptional, giving Goggins credibility.
The Evolutions in this section also contain qualifiers that make Goggins’s ideology accessible to readers. Although he uses examples from Hell Week and the metaphor of a battlefield to stress the importance of the One-Second Decision, he grants that an exam can trigger a fight-or-flight response as much as SEAL training in the Pacific Ocean. He even concedes that there are times when quitting is best, but only if it is a decision and not a reaction. Likewise, Evolution 4 breaks from the mantra of always pushing through adversity to address situations, like abuse, in which a person should indeed exit instead of suffering. This demonstration of compassion and practicality, like the earlier demonstration of fallibility, works to ensure that Goggins’s tough, extreme methods remain relatable.
Still, being uncommon is key to the savage identity, and the concept creates turning points in the narrative. Seeing himself as “a glorified Weekend Warrior” and “a part-time savage at best” convinces Goggins that he has gone “soft” and leads him to enter Leadville (75), although after the deadline and hesitantly. When he begins training in New Jersey, he takes pride in his unfamiliarity with the packed beaches, popular ice cream shops, and bayfront gatherings; he is running instead of frequenting these locations. Being the only person outdoors during a heat advisory exhilarates him, and the bewilderment of a passing driver rekindles the thrill of being an outlier. Likewise, when he reclaims his savage identity during the Leadville race, he compares himself to those participants whose training will fall off as they bask in that one accomplishment. He, on the other hand, is contemplating what greater challenge will come next, as a true savage must.
There is a dramatic shift in diction in this section of the book. In Chapter 3, Goggins talks of the embers of his once “raging” fire and says he is living “in neutral.” By contrast, Goggins describes the return of his warrior identity with dramatic imagery that bolsters its inspirational power. At the end of Leadville, he calls the racecourse a “sculptor” and himself a “marble masterpiece.” He talks of pieces of stone falling from his body as he runs, revealing the resurrected savage. As he passes other runners and pursues the man who slighted him, he talks of reawakening a hungry “dog” and “beast” inside himself. He calls his reclaimed competitiveness his “North Star.”
Mirrors are important in this section that involves Goggins assessing and changing the way he sees himself. Just after receiving the Leadville invitation, his reflection is that of his pre-primal self, whom he calls David, and that man is shaken by the ultra proposition. When Goggins decides to enter the race and resume training, it is because he is disgusted with what he sees in the mirror. However, it is not his physical appearance that bothers him; he still looks fit, but his internal monologue is weak. The physical mirror itself is also symbolic. He describes the mirror of his earlier life as dirty and “tarnished,” but now his mirror gleams. He fears comfort and success have changed the way he assesses and challenges himself. He thinks of Mora while looking into his clean, shining mirror and makes a type of One-Second Decision not to quit pushing himself, regardless of how much he has accomplished.
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