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55 pages 1 hour read

Madame Bovary

Fiction | Novel | Adult | Published in 1856

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Part 1, Chapters 1-9Chapter Summaries & Analyses

Part 1, Chapter 1 Summary

A young Charles Bovary starts formal school. Charles is nervous and tries to be on his best behavior. He’s shy, and the other boys tease him as the teachers try to get Charles to speak up. His father was once an army surgeon but married a wealthy woman and spent all of his wife’s fortune on partying. Charles’s father tried to raise him with tough love, but Charles’s mother has always been kind and giving to him. Her influence ultimately won over Charles’s father, who has mostly receded from family and public life because he can no longer afford a nice home and his former partying ways. Charles is largely an unmemorable student. His parents withdraw him from the lycée after three years to start medical school. Charles’s mother sets him up in the boarding room of a dyer she knows in Rouen so that he can start his independent life.

At first, Charles is a devoted student, but he gets distracted by the beauty of the river and yearns for the countryside. He stops attending lectures and classes. He ends up at bars, becoming interested in dominoes and love. He fails his exams, even though his family has already planned a celebration for him. Despite failing his exams, his mother finds him a job as a rural doctor in a small town called Tostes. She also finds him a wife, an older woman named Madame Héloise Dubuc, who has access to some money. Héloise is a nagging and unhappy woman. Charles is unhappy in his marriage.

Part 1, Chapter 2 Summary

Late one night, a man arrives with an urgent request for Charles to attend to a broken leg at a farm a long distance away. On his way there, the boy who guides him to the farm tells him that it is owned and run by Monsieur Rouault, a financially successful farmer, and his daughter. Monsieur Rouault’s wife died two years before. Upon arrival, Charles tends to Monsieur Rouault’s broken leg. He meets Emma, Monsieur Rouault’s beautiful daughter, whose eyes are described as bold and striking. Charles eats with Emma, who confesses that she doesn’t like living in the countryside and managing the farm. Charles loses his riding crop, and when Emma finds it, they brush against one another. Charles returns to the farm more often than he needs to, and Monsieur Rouault heals within a month and a half.

Charles isn’t honest with himself about why he enjoys going to Rouault’s farm so often, as it’s such a long journey from his home. Charles’s wife hears about Rouault’s beautiful and well-educated daughter and suspects Charles of being attracted to her. She accuses Charles of this, especially because he continues to visit the Rouaults regularly after Monsieur Rouault is healed. Héloise confronts him about his attraction to Emma Rouault so often that he stops visiting the Rouault’s farm.

One of the managers of Héloise’s family estate runs off with her share of the family money. It is revealed that her other assets are much less valuable than she had made it seem while courting Charles. Charles’s parents accuse her of tricking Charles into a financially difficult marriage. Héloise is stressed by these events and the conflict it brings to her marriage. Shortly after, she coughs up blood and dies suddenly. Charles mourns her because she had loved him.

Part 1, Chapter 3 Summary

Monsieur Rouault visits Charles to pay his respects. Monsieur Rouault is a widower too, but he loved his own wife and mourned her deeply. He advises Charles to keep a positive attitude about life and to visit his farm. Charles’s career is going well; people in the surrounding rural areas like him and his work. He is now single. There’s much to feel positive about. Charles accepts Monsieur Rouault’s offer to visit him and Emma at their home again. Charles is excited about reestablishing himself with Emma. Charles quickly becomes used to life without his wife.

When Charles visits Emma again, he finds her as beautiful as ever. They speak openly about their past educations. Emma tells him that she’s unhappy in the countryside because it’s boring, but she also worries that long days in town won’t be satisfying. Emma has a wide emotional range, and Charles finds her fascinating as well as beautiful. He decides to ask her father for her hand in marriage when the time is right. Monsieur Rouault knows that Charles wants to marry his daughter. Monsieur Rouault is a good businessman but a bad farmer; he's been losing money despite the appearance of his wealth, so he is eager to get Emma married to a stable, if boring, man who won’t argue over a dowry.

Monsieur Rouault and Emma accept Charles’s proposal of marriage. Charles and Emma must wait to get married until Charles’s appropriate period of mourning is over.

Part 1, Chapter 4 Summary

Emma and Charles’s wedding is a big event, with guests from all over the countryside in attendance. Charles, at 30 years old, is the happiest he has ever been. His mother is angry that Emma did not involve her in any of the wedding planning. His father parties the night away and recalls his own wedding, when he had been happy and hopeful.

After the wedding celebrations, Charles brings Emma back to his house in Tostes.

Part 1, Chapter 5 Summary

When Emma arrives at her new home, she sees that Charles’s first wife’s wedding bouquet is still on display in the marital bedroom. Emma makes plans to update and redecorate the house. Charles buys her a buggy so that she can go on rides. Charles is elated—he has finally found happiness. He loves his wife dearly, and every little thing about her brings him joy. However, Emma has not felt the happiness she expected marriage to bring her, as it is unlike the happiness and love in novels.

Part 1, Chapter 6 Summary

When Emma was sent to the convent for school, she discovered literature and the power of storytelling. The stories of the saints, as told through religious texts, memoirs, and paintings fascinated and moved her. As she got older, girls snuck salacious romance novels into the convent, which also captured her attention. Emma is a young woman who wants to be emotionally moved and inspired by life. When her mother died, she mourned the loss deeply but was also satisfied to have such an emotionally cathartic experience. When Emma got engaged to Charles, she was sure that her marriage would be just like those romance novels.

Part 1, Chapter 7 Summary

Emma wonders if she’d be happier if she and Charles had gone away on a romantic honeymoon. While Charles feels closer to Emma, she feels more distanced from him. Emma finds Charles dull and average. He has no interests, no hobbies, no curiosities. Emma has many hobbies. She draws and plays the piano well, and she is an excellent homemaker and host.

Charles’s mother still comes to visit, but she finds Emma’s tastes too fancy and expensive. She doesn’t like that Charles loves Emma so much; it makes her feel jealous for his attention.

Emma tries to read poetry to Charles to spark some romance between them. But she starts to believe that, unlike in literature, real-life love is as routine as anything else in life.

Emma receives the gift of a greyhound from one of Charles’s patients. Emma names the greyhound Djali after a character in one of her favorite novels from adolescence. Emma goes on long walks with Djali, eager to get away from the confines of her house and her dull view of the street. She wonders what would have happened if she had waited to meet and marry another man.

Finally, something exciting happens to Emma. She receives an invitation to La Vaubyessard, the home of the Marquis d’Andervilliers.

Part 1, Chapter 8 Summary

La Vaubyessard is an enormous Italian-style mansion. Charles and Emma dine with aristocrats. There is dancing, and Emma refuses Charles as a dance partner. Instead, she dances with aristocrats. She’s fully captivated by the opulence of the evening. When she and Charles return to Tostes, Emma is aggravated. She fires Nastasie, Charles’s long-time housekeeper, for not having dinner ready for them. Nastasie cries and Charles doesn’t want to fire her, but Emma, in all her annoyance, insists. Emma’s “visit to La Vaubyessard had left a chasm in her life, like those great crevasses that a storm sometimes hollows out in the mountains” (51). Emma thinks of the visit every day until the details of the evening become harder to recall.

Part 1, Chapter 9 Summary

Emma immerses herself in a fantasy life. She subscribes to Parisian women’s magazines to study the culture and fashion of the moment. She studies a map of Paris to imagine what her life could be like if she lived in a big city. Emma hires a new housekeeper, Félicité, whom she trains to serve her like a real lady.

Meanwhile, Charles works hard. His reputation as a doctor grows, and he happily finances Emma’s frivolous material collections because, even though he doesn’t understand why she likes her fancy things, he enjoys her ability to find happiness in indulgence. Meanwhile, Emma continues to find Charles increasingly average and unlikable. She wishes he were more ambitious in his career or that he would publish something interesting that would give the Bovary name fame.

Emma wakes up every day hoping that something new and interesting will happen to her. She becomes so disillusioned with life that she falls ill. She loses interest in reading, music, and keeping her house fashionable. Eager to help Emma feel better, Charles decides to move to a larger town called Yonville-l’Abbaye. Emma pricks her fingers on her wedding bouquet and throws the flowers into the fire. By the time they’re ready to move to Yonville-l’Abbaye, Emma is pregnant.

Part 1, Chapters 1-9 Analysis

Charles’s backstory centers the theme of Personal Pleasure Over Responsibility because Charles is one of the few characters who conversely pursues responsibility over personal pleasure. Chapter 1 shows the reader just how average Charles is. Even as a child, he is an average student and an average son with an average, if dysfunctional, family. Charles is a good kid who turns into a good man. Life goes smoothly for him because he is not an extreme person; all of his characterizations depict a man who is unremarkable but also kind. This backstory is important in building up Charles’s characterization because it helps the reader understand why he later becomes so infatuated with Emma, even when it’s clear that she’s chronically unhappy with him. Emma represents the pursuit of happiness and passion for Charles. He has led a life of mediocrity and never longed for more. Significantly, Emma is the only part of his life that was not chosen by his parents. Charles seizes his own happiness and enables something extraordinary to happen in his otherwise extremely ordinary life. Flaubert deploys irony here, as Charles’s one personal decision leads to his downfall through Emma.

Emma is characterized first and foremost through her beauty, which hints at The Subjugation of Women. Charles is so taken by her looks that he feels inspired by them. Emma is also characterized through her devotion to her father. With her mother dead, Emma helps manage her father’s farm and health. However, Emma’s devotion to her father, which Charles takes as evidence of her nurturing ways, is not what it seems. Emma and her father have a close bond and a strong relationship, but Emma has no choice but to devote herself to her father. She’s moved from her father’s house into a convent and then back into her father’s house. As a young woman in the 19th century, Emma has few choices available to her. Unlike Charles, who can pursue higher education, a career, and upward mobility, Emma’s only path as a woman of some means is to marry and transfer her devotion from her father to her husband.

Because she doesn’t have real-world experience to contextualize her reading, Emma has a rich fantasy life that prevents her from appreciating her real life. This introduces the theme of The Gap Between Fantasy and Reality. Emma’s time in the convent is symbolic of her sheltered experience; she’s only experienced heightened emotions and adventures through literature. Emma’s attraction to storytelling informs her view of herself and her idea of life’s possibilities. Non-realist literature, however, is dramatic and transcends real life; literature is a form of escapism, especially the romances that Emma devours.

As Part 1 progresses, Emma is characterized by her chronic dissatisfaction and disillusionment. She projects her fantasies of romance onto Charles and marries him quickly in what she hopes will be a leap of passion, but she soon discovers that she is not in love with Charles. She enjoys material possessions because of their aspirational quality and is easily bored by her life. Emma finds reasons for being unhappy in both the countryside and in a larger town; she is constantly hoping for the next setting to be better than the last, not realizing that what’s truly bringing her emotions down is her own perception of her life. Emma is also a very intelligent woman with a lot of interests. Because life for women in the 19th century was all about home and family, she has few opportunities to challenge her intellect and express her interests. That Charles doesn’t have interests of his own is also a problem for Emma, as it highlights a deep incompatibility. She craves stimulation and doesn’t receive it from her home life or her husband. Emma married the first man that she met so that she could get out of her father’s house and begin her own romantic life, but her new situation disappoints her in its dullness. Emma becomes so bored by her life that she falls ill. Because Charles is completely devoted to her, he agrees to move despite the inconvenience to his career. While Charles may be boring, he’s extremely generous and awestruck when it comes to Emma. Emma’s lack of autonomy introduces the theme of The Subjugation of Women, and Emma’s chronic dissatisfaction emphasizes the theme of The Gap Between Fantasy and Reality.

Charles’s love for Emma is authentic, very unlike his first marriage. His first wife dies in a convenient plot twist that makes him free to pursue Emma, whom he has already fallen in love with. Charles’s first marriage emphasizes that Charles will always do what’s expected of him. He is a man tied to responsibility and duty, even when it comes at the cost of his own happiness. He marries his first wife not for love but to abide by social norms, as well as to follow the financial and social advice of his parents. In the 19th century, women of well-to-do families often had marriages arranged by their parents, and these marriages were often a financial transaction. Emma also comes with a dowry, but the difference between these two marriages is that Charles pursues Emma without his parents’ approval or guidance—marrying Emma is the first decision he’s made on his own. Flaubert uses the wedding bouquet as a symbol of these interchanging relationships. Charles marries Emma quickly after his first wife’s death; so quickly, in fact, that his first wife’s wedding bouquet is still on display. Emma replaces this bouquet with her own, symbolizing her taking the place of the first wife. Emma moves into the same home, bed, and life as the first wife. Charles’s marriage to Emma highlights the theme of Personal Pleasure Over Responsibility, but this theme does not regularly apply to Charles, as he is operating outside of his usual range of behavior when he pursues and marries Emma.  

Emma is disappointed to discover that love is like anything else in life—after a while, it becomes routinized. Though it’s obvious that Charles loves Emma, she grows tired of his displays of affection and his awe of her. This is partly due to Emma’s inability to reciprocate Charles’s feelings. However, her waning interest also occurs because Emma discovers that love, unlike the moments of passion in her novels, becomes a daily chore like anything else. Couples fall into routines and schedules, and Emma’s new and exciting life with Charles quickly feels “normal” and thus dull. This is a lesson Flaubert also extends to his reader: Even passion can fade because life turns everything into a routine. This also emphasizes the theme of The Gap Between Fantasy and Reality.

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