43 pages • 1 hour read
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It’s still Thursday in spring 2021. Leigh is busy with the jury selection for Andrew/Trevor’s trial. After jury selection is over, Leigh finds Walter waiting for her in the parking lot. Walter apologizes for comparing Leigh to Phil. As Walter and Leigh are talking in the parking lot, they spot Reggie. Leigh remembers that Reggie has the tapes.
Walter recognizes Reggie from Maddy’s school play in the first chapter; during the intermission, Reggie, claiming to be another dad, asked Walter about Maddy and Leigh. Walter is enraged and attacks Reggie in the parking lot, knocking him unconscious. Walter and Leigh load Reggie into the trunk of their car, kidnapping him with the intent of securing the video footage he has at his office.
Leigh and Walter drive Reggie to Reggie’s private office, bring him inside, strap him to a chair, and wake him up. They demand the alarm code for Reggie’s safe and the key to the server room, unaware that the original videos are in a safe in Andrew/Trevor’s house. Walter punches Reggie repeatedly to get the information they need. However, upon questioning Reggie, they realize that Andrew/Trevor has set up Reggie to take the fall for his crimes. Andrew/Trevor has taken every step to make sure he won’t get convicted. Leigh and Walter release Reggie. Leigh decides to turn herself in to the police for Buddy’s murder. Before she does that, though, she wants to alert Callie.
On the same day, Callie is at Dr. Jerry’s. She wants to steal some medicine to kill Andrew/Trevor. Dr. Jerry catches Callie. She is embarrassed and ashamed—Dr. Jerry has always been good to her. Dr. Jerry admits to Callie that he’s known all along that she’s been stealing from him—and that he had a son who died from substance use. Callie tells Dr. Jerry her plan in coded language: “I’ve run across a very dangerous Great Dane. […] He’s hurting women. Raping them, torturing them. And he’s threatening to hurt people I care about. Like my sister. And my—my sister’s daughter. Maddy” (386). Dr. Jerry understands what Callie is asking for and asks how much the “Great Dane” weighs. Dr. Jerry doses out the right amount of medicine needed to kill a “big dog” of that size and explains to Callie exactly how to administer it, detailing where to stab the syringe: “The giant syringe in her pocket […] was meant to put down Andrew so that Maddy would be safe, and Leigh could go on with her life” (389).
Leigh and Walter look for Callie, finding her at Dr. Jerry’s veterinary clinic. Leigh updates Callie, telling her about kidnapping Reggie. Leigh and Walter managed to seize the backups of Buddy’s videos from Reggie’s office, including the back-up servers and Reggie’s laptop. They found fourteen video files, plus the murder video. Leigh then tells Callie, for the first time, that Buddy assaulted her too. Leigh tells Callie that she plans to take the evidence that Walter and Leigh seized to the police and turn herself in:
We’ll meet with the district attorney at noon tomorrow. We’ll make a proffer. It’s sometimes called ‘queen for a day.’ I’ll be able to tell them the truth, but nothing I say can be used against me. Hopefully, I can provide evidence against Andrew that will put him away (401).
After finishing their conversation inside the veterinary clinic, Leigh and Callie go to the parking lot to find Walter. He is gone. There’s a note from Andrew/Trevor on Leigh’s car: “If you want your husband back, come and get him” (404).
Leigh panics, while Callie remains calm. Leigh wants to go after Andrew/Trevor and save Walter herself. Callie suggests Leigh go to Andrew/Trevor’s home, as that’s probably where he is. Leigh does as Callie suggests. In fact, Andrew/Trevor is at his old childhood home, the one where Buddy was killed—something Callie has correctly guessed. Callie goes to confront Andrew/Trevor. Sidney is there, waiting for her. Callie stabs Sidney and kills her. Callie then uses the syringe from Dr. Jerry to kill Andrew/Trevor. Then she dies by suicide by overdosing:
Callie thought about Kurt Cobain. He wasn’t waiting for her anymore. He was here, talking to Mama Cass and Jimi Hendrix, laughing with Jim Morrison and Amy Winehouse and Janis Joplin and River Phoenix. […] Callie knew that she belonged (424).
It’s Callie’s funeral. Leigh and Walter are there, as are Phil and Dr. Jerry. Andrew/Trevor’s mother, Linda, stops by. Leigh and Linda talk. Linda reveals that she knew all along that Callie and Leigh killed Buddy: “That kitchen floor was shining when I got home from the hospital. And the bleach was so strong that my eyes watered” (430). Linda never cared that Buddy was gone—he wasn’t good to her—but she did wonder why the girls did it. Now, Linda knows: She tells Leigh that the night Andrew/Trevor died, he dropped off a garbage bag of videotapes in her garage. Linda opens the trunk of her car and shows Leigh the videotapes, 14 of them labeled with Callie’s name, and one labeled with Callie’s and Leigh’s names. Linda gives Leigh the tapes. These are the tapes from the safe in Andrew/Trevor’s and Sidney’s house. Leigh doesn’t hold Linda responsible for Buddy’s crimes; Linda herself was only 13 when she met Buddy. Linda tells Leigh, “I’m thanking you, Harleigh Collier. As far as I’m concerned, you put one animal down for me. Your sister put down the other” (433). Linda leaves.
These final chapters show a rapid escalation of action. Walter attacks Reggie; Walter and Leigh kidnap and assault Reggie; Callie kills Sidney and, finally, Andrew/Trevor. The narrative becomes faster paced before reaching its climax and subsequent denouement, the part of a story where the various strands of the plot are drawn together and explained or resolved.
The final chapters also include a pivotal revelation when Leigh finally confesses to Callie that Buddy assaulted Leigh first. Only through this revelation is Leigh able to absolve her guilt about what happened to Callie. The confession doesn’t cause a schism between the sisters, as Leigh always feared, but draws them closer together. The traumatic events they have faced continue to bond them. Their loyalty reaches its pinnacle in the final chapters. To put Andrew/Trevor away, Leigh plans to turn herself in to the police for Buddy’s murder. Meanwhile, Callie has her own solution: She kills Buddy to protect Leigh, Walter, and Maddy, and to keep Leigh from turning herself in for Buddy’s murder. These sisters are willing to go to jail or even die for one another.
The book’s final chapters wrap up the narrative, bringing justice through Andrew/Trevor’s death. The theme of The Bonds Forged Through Shared Trauma reaches its height when Callie sacrifices her own life to protect the lives of Leigh and her family. The fact that Leigh kills Andrew/Trevor with a lethal dose of medicine taken from a veterinary clinic reiterates the symbolic significance of animals. Throughout the novel, Callie has found comfort in her animal friends and in the human embodiment of those animal friends, the kind-hearted veterinarian Dr. Jerry. The fact that she turns to Dr. Jerry to give her the tool needed to kill Andrew/Trevor speaks to her trust in and comfort with him. Dr. Jerry is one of the few male characters who doesn’t exhibit subtle or overt misogyny. In fact, he actively defies the misogynistic complicity seen elsewhere when he gives Callie the means to “put down” a violent man.
The comforting representation of animals, the antithesis to humans, gets an ironic twist when Callie compares Andrew/Trevor to an animal. Callie tells Dr. Jerry, “I’ve run across a very dangerous Great Dane. […] He’s hurting women. Raping them, torturing them. And he’s threatening to hurt people I care about. Like my sister. And my—my sister’s daughter. Maddy” (386). Her coded language here serves a practical purpose—she can’t tell Dr. Jerry she’s planning to kill a man; it would implicate him if she’s caught. But even in her internal thoughts she uses language associated with animals: “The giant syringe in her pocket […] was meant to put down Andrew so that Maddy would be safe and Leigh could go on with her life” (389). The phrase “to put down” is generally used only in reference to animals, not people. Even Linda, Andrew/Trevor’s mother, compares him to a wild animal, telling Leigh, “I’m thanking you, Harleigh Collier. As far as I’m concerned, you put one animal down for me. Your sister put down the other” (433).
Ultimately, the book argues that the real “animals”—dangerous beasts driven by violent impulses—are men. Although Andrew/Trevor is dead at the end of the novel, other men go unpunished, like Reggie, who was often complicit in Andrew/Trevor’s violence and misogyny. Similarly, the men who were complicit in Buddy’s crimes, watching the videos of Callie and Buddy, are all presumably alive and free. Callie and Leigh’s victory over Andrew/Trevor is therefore a qualified one—they may have defeated the man who was terrorizing them, but they have not defeated misogyny and violence against women as a whole. It is far too pervasive and systemic.
Finally, in these chapters Leigh and Callie recognize The Futility of Trying to Escape the Past. Throughout the book, the videotapes have symbolized Callie and Leigh’s inability to put the past—the assaults, the murder—behind them, try as they might. By the book’s end, Leigh holds these pieces of the past—she possesses both the original tapes, given to her by Linda, and the duplicates, taken from Reggie’s laptop/servers. The past is not forgotten, but it is now in a safe space, in Leigh’s possession. Leigh and Callie, by acknowledging and confronting the past, as symbolized by Andrew/Trevor, are able to finally put it to rest and achieve peace. In death, Callie finally finds the sense of belonging she has always longed for; further, she dies knowing she is protecting her loved ones. Leigh, in reclaiming the videotapes, literally and figuratively gains control over her and her sister’s past. No one can use the tapes against them again. Their secrets are safe.
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