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61 pages 2 hours read

Close to Death

Fiction | Novel | Adult | Published in 2024

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Background

Series Context: The Hawthorne and Horowitz Mysteries

Close to Death is the fifth novel in Anthony Horowitz’s popular Hawthorne and Horowitz series. The first Hawthorne and Horowitz novel, The Word Is Murder (2017), introduced private investigator Daniel Hawthorne, a sharply intelligent, reclusive, and sometimes morally ambiguous detective who the police consult with on what he calls “stickers:” “the crimes that are like no others because there’s an intelligence behind them” (360).

In the first novel, Hawthorne approaches Horowitz, a well-known British screenwriter and novelist, to accompany him and write true crime novels based closely on his investigations. This first novel was followed by The Sentence Is Death (2018), A Line to Kill (2021), The Twist of a Knife (2022), and this novel, Close to Death, in 2024. The metafictional strategy that Horowitz adopts with the series adds a twist to what would otherwise be a straightforward mystery narrative: Horowitz, the author, places himself in the novel as Horowitz, the character, speaking directly to the reader about both the investigation and the writing process.

Hawthorne and Horowitz are an odd-couple detective duo, and their collaboration isn’t always an easy one. While Hawthorne has the finely tuned investigative instincts of a Sherlock Holmes-type detective, Horowitz, although a seasoned mystery writer, often falls behind. Hawthorne finds Horowitz’s lack of insight both amusing and infuriating by turns, and Horowitz is continually frustrated by Hawthorne’s opacity—he knows very little about the man and not much more about his investigative methods. As the series continues, Horowitz pieces together Hawthorne’s past, but what he discovers seems to raise more questions than it answers.

This discovery process continues in Close to Death when Horowitz finally comes face-to-face with the head of Fenchurch International, the shadowy global security firm where Hawthorne works. However, at the end of the novel, he knows little more than he did at the beginning. Although each of the novels contains discovered pieces of Hawthorne’s history, they are written to stand alone and don’t require the reader to be familiar with the previous novels in the series.

Genre Context: Cozy Mystery and Noir Fiction

With Close to Death, Horowitz uses elements of two mystery/crime genres that aren’t often blended: the cozy mystery genre and noir detective fiction. Cozy mysteries generally occur in a small, close-knit community like Riverview Close in Close to Death, and the killer is a community member. Cozy mystery narratives tend to focus on the personal relationships and drama between community members. For example, Close to Death explores each of the residents’ personal lives and histories in addition to their connection to the victim. Although the murder might be grisly, the narratives themselves are not graphic or violent and rarely contain profanity. In Close to Death, Horowitz further emphasizes the novel’s connection to the cozy mystery genre with May and Phyllis’s bookshop, The Tea Cosy, which does not sell “modern, violent crime” but instead “specialize[s] in—exclusively—[…] cosy crime” (38). Well-known examples of the cozy mystery genre are Agatha Christie’s Miss Marple series, Rita Mae Brown’s Mrs. Murphy series, and Richard Osman’s Thursday Murder Club series.

Close to Death deviates from the cozy mystery genre via the detective Daniel Hawthorne. While cozy mysteries usually feature an amateur detective, very often a woman, Close to Death features Hawthorne, a former police detective and current private investigator. Horowitz describes Hawthorne as “hunched over a black coffee in his trademark suit, white shirt and tie, his shoulders hunched […] At those moments, he could have walked out of one of those films shot in the forties: a reborn Cagney or Bogart” (77). Horowitz’s reference to actors James Cagney and Humphrey Bogart connects Hawthorne to the hard-boiled detectives they played in famous black-and-white noir films like The Maltese Falcon, in which Bogart plays possibly the famous noir detective Sam Spade. Hawthorne’s secretive nature; blunt, sometimes offensive interrogation style; and blurry ethical boundaries reflect classic noir detective characteristics. By placing a noir detective in a cozy mystery story, Horowitz generates tension, adding a darker element to the otherwise cozy mystery.

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