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68 pages 2 hours read

After The First Death

Fiction | Novel | YA | Published in 1979

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Part 8Chapter Summaries & Analyses

Pages 143-152 Summary

On the bus, Kate waits and plans to make her move to drive back to safety. Fearful but resolved, she rehearses the movements in her head, wishing “she could rehearse her bravery” (146). Miro watches her, entranced by her beauty. He knows he should be more careful, but he believes she’s only a simple American girl and can pose no threat.

Artkin visits the bus periodically. On one visit, he notices Raymond watching him with wide, aware eyes. Artkin gives Raymond candy and watches as the child eats it. Raymond falls into the drugged sleep. Kate sits beside him. Tiredness overtakes her, and listening to the children’s soft snores, she falls into “a deep dreamless sleep of clinging darkness” (151).

Pages 153-166 Summary

Kate wakes to twilight and realizes she needs to act before it gets dark. She sits in the driver’s seat and rehearses the steps of driving away while she waits for Miro to take one of his breaks outside. When he doesn’t, she asks him to open the door because it’s hot. He does and after a pause, steps outside. Kate closes him out and starts the bus, the motor “sounding eager and confident” (157). She makes it about 40 feet before the bus stalls.

Artkin and Miro gain access to the bus. While Artkin searches Kate for another key, Miro tries and fails to give the children the rest of the drugged candy. When he’s done with his search, Artkin tells Kate to tend to the children and then chastises Miro for his failure. Miro listens, feeling ashamed. Artkin says the only thing that saved Miro is that Artkin also neglected to search Kate earlier, and Miro is left to wonder “Saved me from what?” (166).

Pages 167-176 Summary

Night falls, and the children sleep without the influence of drugs. Each lost in thought, Kate and Miro contemplate their situations. Kate treasures being alive and alert, and Miro ponders the emotions he suddenly feels. Sometime later, he falls asleep and wakes to Kate apologizing close by. Appealing to Miro is her last hope, and even if she fails, she has to try because “trying was better than sitting here in the dark, doing nothing” (171).

Later, Artkin summons Miro to the van. The Americans claim they captured the leader behind the operation. Though there is no proof, the leader missed his midnight signal to the van, which means he may truly be in custody. A radio communication comes in, and Artkin asks for a specific stone from the leader’s hotel room to be delivered as proof. In the fresh air of morning, Miro returns to the bus with “a freshening, too, in Miro’s heart” (177).

Pages 177-187 Summary

Miro takes over bus duty from another of the hijackers. The man steps out onto the bridge and lights his flashlight, only to be shot by one of the snipers. Artkin arrives and explains to Miro that the shot was a mistake. One of the snipers pulled the trigger by reflex. Though Artkin believes this, one of the children must die to show that even accidents will not be stood for.

Artkin chooses Raymond. Kate protests, and Miro restrains her. Right before Artkin leads Raymond from the bus, Kate begs him to “take me instead” (183). Artkin refuses, and Kate feels shame at her relief. A bit later, she hears a gunshot and knows Raymond is dead.

Part 8 Analysis

The stone from the leader’s hotel room is a stand-in object. It has no purpose or value, and it may or may not truly be from Artkin and Miro’s homeland. Rather, the stone symbolizes truth between operatives. The leader carried it as a way for others to ascertain whether or not claims made by the opposition are true. The stone allows Artkin’s team to gather information, and it is a stalling tactic. Rather than attack, the American forces put their efforts to retrieving the stone because they believe it is the best way to keep the situation on the bridge safe.

Raymond finally eats the candy and falls into a drugged sleep in Part 8. Overwhelmed by losing Raymond as an ally, Kate also falls asleep. Both their slumbers foreshadow their deaths. Kate shows incredible bravery when she offers to die instead of Raymond. She wonders throughout the book where her bravery is but then doesn’t recognize it when it appears. Instead, she focuses on the relief she feels when Artkin lets her live. She didn’t have to offer her life and then doesn’t give herself credit for being so brave, instead focusing on her perceived failings. She is ashamed of her relief, but her relief is natural, if uncomfortable, under these circumstances. The desire to live is strong, possibly stronger than the drive to protect.

Cormier reveals his reason for characterizing Raymond more so than the rest of the children. Cormier relates some events from Raymond’s perspective and humanizes him so that the reader feels it all the more when he dies at the hands of the hijackers. Like Kate, the reader is meant to feel helpless and sorrowful. Cormier’s bid to humanize his character mirrors Kate’s bid to humanize herself so that Miro will find it difficult to kill her.

 

We also see hints in this section that Artkin doesn’t care for Miro the way that Miro idolizes Artkin. Miro, to Artkin, is a pawn, good only for the services he can provide to the cause. He implies that Miro is expendable should he make a mistake. 

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