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When Reyna’s taxi pulls up to Abuelita Chinta’s house, an ambulance is parked outside. Reyna’s mother bursts into tears when her brother tells her that Abuelita Chinta is dead. Reyna is filled with remorse as she watches her mother embrace her siblings. The thought that Nathan will never know his great-grandmother amplifies her sadness. The family owes the equivalent of a thousand US dollars for Abuelita Chinta’s hospital care. Mago contributes what little she can, but Reyna settles the bulk of the bill before taking Abuelita Chinta home to bathe and dress her for the funeral. Reyna wonders if she and her sister inherited their tenacity from Abuelita Chinta as they place a rosary between her hands. The family hires a rezandera, a professional prayer, to lead them in prayer. They walk in procession to the cemetery and lay Abuelita Chinta to rest beside the husband who abused her. After the body is lowered into the ground, Reyna’s young cousin, Diana, asks if she lives in Disneyland. Reyna does not answer. Instead, she promises her grandmother she will take care of the family. She fulfills her promise years later, sending her cousin Lupe to college, Diana to beauty school, and their brother Rolando to university.
Reyna’s accelerated teacher credential program is demanding, covering a semester’s worth of material each month. Nevertheless, Reyna perseveres because she knows it will allow her to transfer to an adult school and leave her with more time to write. She is elated to learn that she is among the 25 finalists for the Emerging Voices program. Five judges fire questions at her during the interview, asking why she wants to be a published writer. Reyna tells them that books about the immigrant experience tend not to be written by immigrants, and that she wants an opportunity to be heard. She also insists that immigrants deserve a place in American literature because their experiences are quintessentially American. She leaves the interview happy in the knowledge that she did her best.
Shortly thereafter, the coordinator of the program calls to inform her she was awarded a fellowship. Reyna chooses María as her mentor. Thrilled to be part of Reyna’s literary journey, María tells Reyna how impressed she is by her determination. Reyna’s time as an Emerging Voices fellow opens doors to the publishing world. The fellows meet weekly to discuss their work and meet with industry professionals. In short, the program offers Reyna opportunities to hone her craft and learn about the business of writing. She presents her work at the Los Angeles Times Festival of Books, reading an excerpt from her work in progress, Across a Hundred Mountains. At her last public reading with Emerging Voices, Reyna shares the stage with one of her literary heroes, Sandra Cisneros. She also meets a literary agent named Jenoyne Adams and pitches her novel.
As Reyna tries to complete her novel, she juggles writing, teaching, and motherhood. Under María’s guidance, her vision for the book changes; it turns into a story about the life she might have lived, rather than one based on her reality. Reyna rewrites the novel in two months, telling a story about a woman named Juana, whose baby sister dies during a flood. The tragedy leads to the disintegration of Juana’s family: her father disappears and never returns, her mother falls into alcoholism, and her brother is kidnapped by a money lender. Hoping to rebuild her family, Juana journeys north in search of her father.
Reyna is pleased with the main components of her story, but the pieces do not fit together. Her friend Rosa, who is undocumented and works under a false identity, helps Reyna find the missing piece to the story. Rosa’s dual identity prompts Reyna to consider how her identity changed when she immigrated to the US. The notion of dual identities becomes central to Reyna’s book. By the summer’s end, she mails Jenoyne her manuscript and signs with her agency.
After completing the accelerated teacher credential program, Reyna applies for work at Fremont-Washington Adult School, which is five minutes from her house, and lands a job as a Beginning ESL teacher. Reyna realizes Diana was right about teaching adults. Her students, most of whom are recent Latino immigrants in their late thirties and forties, are motivated to learn. Reyna is delighted to find that discipline issues are a thing of the past: Her students complete their assignments without complaint; no-one calls her names or spits on her; and not once does she have to raise her voice.
Reyna soon realizes that she enjoys teaching. She comes to understand that helping children requires helping their parents learn English, which is a prerequisite for a better job. Moreover, parents who know English can help their children with their homework. Reyna only works part-time at her new school, leaving her with more time to write and for Nathan. She revises her novel after receiving feedback from Jenoyne. Reyna is embarrassed when her handsome white colleague, Cory Rayala, sees her manuscript during a teacher meeting and asks if he can read it. Reyna is nervous about letting someone other than her agent see her work. At the end of the meeting, Cory asks if he can take her novel home to finish it. Reyna learns that Cory’s grandfather immigrated from Finland and changed his last name. Cory connects with Reyna’s story because immigration is part of his family’s history.
Reyna’s relationship with Cory is complex. She tells him they will be attending a holiday work party alone after two colleagues back out. She is excited when he offers to pick her up, making their outing more like a date, but Cory dashes her hopes by informing her he has a girlfriend. He tells Reyna he has been in a relationship for five years with a PhD candidate who is in Egypt doing research. Reyna takes Cory to a Latino wedding in a hall adjacent to their work party, where they dance the cumbia among strangers. They retire to the lobby when the music changes and discuss their lives and dreams. Reyna tells Cory about her writing journey, while Cory reveals that he pursued acting but disliked the instability of being a professional actor. He has no regrets about walking away, claiming that teaching makes him a better person. Reyna tries to forget about Cory during the holiday break. She strives to make Christmas a happy time for her son, but the absence of relatives and the small Christmas tree underscore her shortcomings. Reyna channels her loneliness into writing, starting a novel titled Dancing with Butterflies.
Identity remains a central issue in Chapters 29-33. Reyna learns to embrace both parts of her identity, which she channels into her writing. In Chapter 31, for example, she describes reaching an impasse in her novel, which she surmounts by emphasizing her protagonist’s dual identity. The idea to highlight this aspect of her character comes from Rosa, an undocumented Mexican immigrant and the mother of one of Reyna’s former students. Rosa works under a borrowed Social Security number. Thus, her coworkers know her as Gladys. Every time Rosa goes to work, she has to become someone else, a situation she finds confusing: “‘It does something to you, Reyna,’ she said. ‘It messes with your head. You ask yourself, which is the real you? Or are there two sides to you, the one they see and the one they don’t?’” (241).
Reyna compares Rosa’s predicament to the moon, noting that “it has two sides, but we only see one” (241). This metaphor serves as the basis for Reyna’s understanding of the immigrant experience: “The duality, the light and dark, the two faces of the moon. I thought about how, upon our border crossing, we take on new identities in subtle ways, and other times in drastic ways” (241). Reyna dropped part of her surname after immigrating to the US, becoming Reyna Grande, rather than Reyna Grande Rodríguez. Similarly, her sister went from being called Magloria to Maggie. Indeed, countless immigrants change their names upon arriving in the US, including Reyna’s favorite author, Kahlil Gibran, née Gibran Khalil Gibran, and Cory’s grandfather, who changed his surname from Rajala to Rayala to make it easier for Americans to pronounce. In Chapter 12, Reyna describes herself as “twice the girl she used to be” (96). She elaborates on this idea in Chapter 31, describing the duality at the heart of the immigrant experience:
Being split in half had forced me to create two versions of myself. I went home thinking about the duality of being an immigrant, our split identities, the cleaving of our hearts and bodies–half of our heart remained in our homeland, the other was here with us. One foot remained rooted in our native soil while with our other foot we dug into American soil to anchor ourselves and weather the storm. As with the moon, there is the face that we immigrants show to the world, but our second face is the one we keep hidden in darkness so that no one can see us weeping (241).
Immigration is a foundational part of US history. The issue bears on both people of color and white people, like Cory. Reyna points out, “This man, whose great-grandfathers had immigrated from Finland and Scotland, and who was physically the whitest person I had ever met, seemed to understand what my writing was all about” (250). Reyna and Cory bond over their different but shared history with immigration.
Tenacity remains one of Reyna’s most notable character traits as she enters her late twenties. She learns that her drive to finish her novel is what struck María most after their first encounter: “She marveled at the resilience of a disadvantaged young girl from Iguala, Guerrero […] Learning my story taught her to appreciate the advantages she had grown up with” (235). Reyna is well-aware of this aspect of her personality, as evidenced by the preparations for Abuelita Chinta’s funeral in Chapter 29. Reyna and Mago clean and dress their grandmother before placing her hands together to clasp a rosary. Mago observes that Reyna has their grandmother’s hands, prompting Reyna to contemplate what other traits the women in the family share: “What else had we inherited from this woman? Her tenacity for life? Her ability to survive in a harsh environment? Her capacity to reinvent herself and go from being bitter and cruel to loving and gentle?” (226). Reyna’s determination also impacts her personal life. For example, she expresses hope that she and Cory will become a couple, despite the fact that he has a long-term girlfriend.
Reyna and her family sacrificed a lot for a chance at a better life. Immigrating destroyed the family, resulting in divorce, physical and emotional abuse, and lasting trauma. Despite the suffering, Reyna recognizes how lucky she is, especially compared to family members who remained in Mexico. She is unsure how to answer when her cousin, Diana, asks if she lives in Disneyland: “I was reminded once again of the privilege of living in the U.S. […] It was a place of opportunity, abundance, possibility, and dreams” (228).
Living in the US cost Reyna her family. She paid a high price as a child, yet she continues sacrifice to reach her goals. In Chapter 30, for instance, she describes attending meetings and Q&As as an Emerging Voices fellow, events that take time away from her son. She breaks down after Nathan reaches for the babysitter one night, worried about sacrificing his love for her career: “I cried along with him. Was my son’s love the price I would have to pay for my dream? […] I’m doing this for both of us, I reminded myself” (236-37). Mago questions Reyna’s decision to prioritize her career over her child, but Reyna remains steadfast. She is vindicated in Chapter 32, when she earns her teacher credentials and transfers to an adult school. Enrolling in the accelerated program ate into Reyna’s schedule, but in the end, it allowed her to work part-time, leaving more time for Nathan and her writing.
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